Borderlands Online Subtitrat in Romana

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Borderlands

campionat : Borderlands
lansare :
arhivare :
gen muzical : Action, Science Fiction, Comedy

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The Ploughmen Online Subtitrat in Romana

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The Ploughmen

titular  : The Ploughmen
:
arhivare :
compoziţie : Drama, Mystery, Thriller

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Through My Window 2022 Online Subtitrat in Romana

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Through My Window

subtitlu : Through My Window
declanşator : 2022-02-04
arhivare : 112 Minutes
compoziţie : Drama, Romance

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Hush 2016 Online Subtitrat in Romana

Hush Online Subtitrat in Romana – [1080p]

Hush

subtitlu : Hush
: 2016-03-12
arhivare : 82 Minutes
gen muzical : Horror, Thriller

I thought it was nicely made especially the beginning and had a clever emphasis on sound. It wasn’t the best written film ever but it did the job as a good, stupid horror film.

It was excruciatingly annoying in parts but I think that was the point.

It won’t win any awards for acting or screenplay but it was fun and stands up against most modern, boring horrors.

It reminded me of ‘Don’t Breathe’ which was a really good film too as it took modern horror conventions and played with them in a different way as the main characters had to struggle with the loss of an important sense.
“For a thriller this is a very good choice”

It all starts with a story writer, she lives alone also she got meningitis long back and lost her speaking and hearing ability. She left her family which consists of a dad mom and a sister to live alone is solitary place with just one couple as a neighbor and one more thing to point out is that she has not been talking to her boyfriend .so one night this intruder comes along as soon as she finds out that she is not alone it turns out to be a cat and mouse story for survival and the rest of the movie u guys have to watch have not spoiled anything for you. It has been a while since I watched movies like this from the usual haunting by ghosts. There were some parts in this movie which could have been made better but no complains it was a good one.
I liked this movie would be suggesting this to anyone I know
Notable Acting
John Gallagher Jr famous for his movies like 10 Cloverfield Lane etc.
Kate Siegel
My Rating 8/10
**Inside and outside, a cat-mouse game!**

A limited cast film. One night event. The whole film was shot within the three weeks. Minimised dialogues, maximised actions. This film has such a good record those. But apart from the performances and settings, there’s nothing special. The same old home-invasion concept with so many flaws. If you are looking for nothing but an entertainment, then this will provide you that. But you should not expect more than that, it will foil you from having a nice time with the film. I enjoyed it too, though when it comes to the rating, I should be honest.

Maddie, an authoress who lost hearing and voice in her childhood is now living in a remote place, somewhat isolated from the people. On an ordinary day, unexpectedly, a masked man who killed her neighbour, is now after Maddie too. When she comes to realise that, the cat and mouse game begins. She locked herself inside. On the other hand the stranger trying to get in. As it goes like that for hours, so many twists and turns take place. How the remaining tale would turn out is should be watched.

Simpleness was the highlight. They did not try too much. Particularly, for a thriller like this, they usually scare the viewers with sudden and loud sounds. This film had those, but minimised. You can’t blame for isolated settings too, because such crimes can be easily committed on those backdrops. It’s all about Kate Siegel. Her best film, according to me. Nice direction, from one of the latest horror flick maker. But this is not a horror film. It is a terror, a thriller. Short running time and it is worth a try.

**6/10**

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Jai Bhim 2021 Online Subtitrat in Romana

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Jai Bhim

calificativ : Jai Bhim
: 2021-11-02
arhivare : 164 Minutes
compoziţie : Crime, Drama, Mystery

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Into the Woods 2014 Online Subtitrat in Romana

Into the Woods Online Subtitrat in Romana – [1080p]

Into the Woods

colontitlu : Into the Woods
lansare : 2014-12-24
arhivare : 125 Minutes
compoziţie : Fantasy, Comedy

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Home Team 2022 Online Subtitrat in Romana

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Home Team

colontitlu : Home Team
declanşator : 2022-01-28
arhivare : 95 Minutes
gen : Family, Comedy

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Fantasy Island 2020 Online Subtitrat in Romana

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Fantasy Island

titular  : Fantasy Island
a slobozi  : 2020-02-12
arhivare : 109 Minutes
gen : Horror, Fantasy, Adventure, Mystery

If you enjoy reading my Spoiler-Free reviews, please follow my blog @
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First of all, no, I have no knowledge of the TV series this film is based upon, and after watching Jeff Wadlow’s adaptation, I’m definitely not watching anything related to this story. I always follow this principle: the two pillars of any movie are its story and characters. It doesn’t matter if everything else is absolutely perfect. If the two central pieces fail to convince the audience, then the whole movie falls to the ground. Sometimes, there are some crumbles that remain intact. Very rarely, there’s a big segment that has no scratches whatsoever, which can help the film to survive and, even more rarely, actually make it “okay”.

Fantasy Island has two little crumbles named Portia Doubleday (Sloane) and Maggie Q (Gwen), who deliver good performances, especially the former who everyone knows from one of the best TV shows of all-time, Mr. Robot. Everything else is completely destroyed. The Grudge still has a couple of redeeming moments, but Fantasy Island is undoubtedly the worst movie of the year, so far. The before-mentioned two pillars are built with the most annoying, cliche characters, as well as a ridiculous narrative that ultimately brings the whole thing down.

The third act possesses some of the most nonsensical, irrational, and illogical plot twists I’ve ever witnessed. This is 2020’s version of Serenity, also a movie with an absurd twist that only turns the film even worse than what it was. The big difference between the two plot twists is that Serenity’s was predictable from the get-go. Fantasy Island’s last twenty minutes are profoundly unexpected because no sane soul would have thought of such a baffling narrative decision.

The best way to describe the twist without spoiling a thing (and I won’t) is through the editing. During the exposition-heavy revelation, the editing is so awkwardly choppy that it made me think it was all fake. I genuinely thought the plot twist was a false sequence. When I realized it wasn’t, I simply laughed like a maniac because I couldn’t believe someone thought this made logical sense. Usually, a plot twist carries some sort of build-up, even if it’s literally a couple of minutes before the explicit revelation.

This one just happens. Without any preparation, a character just shows up on the screen and begins explaining everything. It simply doesn’t make any logical sense. It generates so many incongruencies with the whole story that I lost count of the plot holes I was able to point out. The film starts with establishing a few rules, only for an hour later to ignore or change them completely. A particular character acts a certain way without any plausible reason as to why. If the screenplay wasn’t messy and confusing enough, the characters are also horribly-written.

I never enjoy writing that an actor failed to do its job, but Ryan Hansen (JD Weaver) is the weak link of the cast, even if every single script is dreadful. Even the casting doesn’t make sense: Michael Peña as a dramatic Mr. Roarke? A character supposed to be serious and mysterious? It’s Michael Peña! I don’t want to insinuate that he can only do comedy, but making him the villain (if I can call him that) is another addition to the list of questionable production decisions. Lucy Hale (Melanie) is fine as the protagonist, but it all comes down to the lazy, unimaginative scripts. Everything is so unbelievably messy that I don’t even have any sort of technical remarks… Maybe that the beginning of the film and the actual concept look interesting. That’s the only compliment I can think of: it wasn’t a bad idea (different fantasies, different genres, it could have been a fun mix of styles).

Fantasy Island is undoubtedly the worst film of the year until now. Consider it 2020’s version of last year’s Serenity, but with a third act’s plot twist that is so unexpected, everyone will have their jaws on the floor due to how nonsensical it is. The story wasn’t close to being decent until the revelation, and it only turned into something a lot worse after it. Dozens of incongruencies and massive plot holes are generated due to the ridiculous attempt at a Shyamalan-like twist. If the absurd narrative decisions aren’t enough, the horrible character scripts don’t help the not-that-great acting, with the exception of Portia Doubleday and Maggie Q, the only good aspects of the whole movie. In the end, the two pillars of any movie (story and characters) are a total failure, making everything else fall apart with no possible salvation.

Rating: F
> _**Review on Horror Focus_**

Blumhouse is a strange one to predict when it comes to pumping out quality horror films. Jason Blum cleverly orchestrates a plethora of films on a tight-string budget, allowing some breathing space in the (un)likely case that one of his films is a flop. Normally, this is not the case as Blumhouse is prone to releasing the odd PG-13 horror movie every now and again, and strapping that age restriction on any horror already racks in the doe.

This, however, has no accounting for taste, as fans like myself can often be left puzzled by the fodder that is pumped out of the Blumhouse canon a few times a year. With quite the eclectic resume of films under its belt, we were treated to the likes of Halloween, Get Out and debatably The Purge, and with the brilliant The Invisible Man coming out so recently, it’s truly baffling how a film like Fantasy Island is also the product of the same company.

No production company or director is perfect, as we are often exposed to some atrocious pieces of work from our most-trusted filmmakers (with the exception of Jordan Peele duh!). Blumhouse is not to be excluded as it isn’t uncommon for them to pump out at least one absolute stinker a year, films that could easily go down as some of the worst the genre has to offer. Blumhouse itself is largely successful overall, and very rarely releases an all-out disaster; but if you see that dreaded brand stapled onto the start of a film title ie. Blumhouse’s Truth or Dare, and Blumhouse’s Fantasy Island, know that what you’re about to endure will be 100 minutes of mind-numbing torture.

Image result for fantasy island

Let’s make one thing crystal clear, Fantasy Island is camp as tits. The problem here however is that it doesn’t realise, which is ridiculous given its boistrous bravado. What we have is a half-baked, often muddled experience that is so oblivious to its own unique charm and goofiness that such comments end up becoming a serious negative. If Fantasy Island capitalised on its own brand of silly then this would be an entirely more enjoyable experience from that alone, but instead it takes itself far too seriously and often gets lost in its own waffle.

Some elements here are promising, with the overall plot being somewhat intriguing, but its the sheer execution and over-crammed production halts any above average element from being anything more than ill-conceived and inept. The biggest problem lies in the fact that it never knows what it is, nor understand what it’s trying to be. It never fully lands on being a jumpy scare-centric horror, nor does it fully execute its trippy Midsommar-esque sci-fi rife that it tries so desperately to juggle.

Fantasy Island is first and foremost a generically dull experience, one that feels like three extremely underwhelming scripts stitches together like the knock-off Leatherface mask. The final product is actually quite puzzling, one that has a troubled time trying to establish its own identity which inevitably leaks out onto its viewer, resulting in a nonsensical, head-scratchingly hollow experience that is as dense as it is naff.

VERDICT
Word to the wise; like Truth or Dare, if Blumhouse attach their name onto the front of a film title like they’re Clive Barker, save yourself time and avoid it. This is one getaway you definitely want to cancel
‘Fantasy Island’ is a surprisingly fun, undemanding, slickly-filmed diversion that will keep its target audience entertained.
– Jake Watt

Read Jake’s full article…
https://www.maketheswitch.com.au/article/review-fantasy-island-a-suprisingly-fun-horror-tinged-adventure
Decent watch at best, could watch again, but probably won’t, and can’t sincerely recommend.

I had to watch this twice to make sure I followed what happened, I thought it was because I was really tired the first time, but nope, it made about as much sense the second time.

A lot of this is just the writing. I don’t know what is with writers and mysterious islands (I’m looking at you, “Lost”), but it makes them crazy: just because ANYTHING could happen, doesn’t mean it needs to. The problem with “Lost” is that they were actively reacting to viewer reactions, trying extremely hard to produce episodes that didn’t match predictions (allegedly keeping the audience guessing), but that just makes disjointed story lines that wildly diverge for no reason. This movie is basically that happening all in one go.

The reason that the audience can draw lines is because a pattern is established by the written story, diverging breaks that pattern; it does not enhance it.

This movie keeps some movie mystery clues in there, but there is a LOT of wild diverges and acting within acting here that I can’t elaborate on without spoiling it (it’s the one “great” thing about this movie, so I won’t). There is a high quality way of writing that involves red herrings and proper misdirection, but this is not it. The end result looks the same, until you review what happened and realize that the first was based off the information given and the second is based off of arbitrary writing decisions.

The mystery of the island itself interferes with the traditional mystery aspect as well. Even in ghost mysteries there are rules to follow. When there aren’t any rules left, you can’t predict and the story actually gets boring if not frustrating.

I am not saying this movie is without worth, but I am going to say that I feel bad for Lucy Hale as she’s definitely the best of this movie.

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Papillon 2017 Online Subtitrat in Romana

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Papillon

campionat : Papillon
declanşator : 2017-09-07
arhivare : 134 Minutes
compoziţie : Drama, History, Crime

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Voyagers 2021 Online Subtitrat in Romana

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Voyagers

titlu  : Voyagers
declanşator : 2021-04-08
arhivare : 108 Minutes
gen : Science Fiction, Thriller

The classic novel Lord of the Flies by William Golding is not only a beloved classic but has been assigned reading for generations of students since it was first published in 1954. The book has been adapted into plays and films over the years and remains a chilling and poignant cautionary tale.

In the new movie “Voyagers” audiences are introduced to an Earth that has been ravaged by climate change and disease. In an effort to save the species; a grand experiment to genetically create a group of children who are the origins of a colonization effort is undertaken.

The planet is 86 years away so the decision is made that the children will be raised and trained indoors without any exposure to nature, open skies, fresh air, and other aspects they will be deprived of on the ship.

Richard (Colin Farrell) decides to accompany the children on the mission as he wants to protect them and ensure things go as planned so their progeny will be well suited to continue on the mission to the next generation who will ultimately be the ones who colonize the planet.

Ten years into the mission things are going well until a discovery is made that a drink the children take daily known as “The Blue” is a drug used to suppress their emotions and keep them docile and easy to control.

When friends Christopher (Tye Sheridan) and Zac (Fionn Whitehead); who learned the secret of the drug decide to stop taking it; they soon reveal the truth of their discovery to the rest of the children who in turn stop using the drug.

In no time rampant emotions, aggressions, desires, paranoia, and mistrust start to run wild and Zac becomes obsessed with Sela (Lilly-Rose Depp). His unwelcome advances soon become more and more aggressive which causes Christopher and Richard to intervene and tragedy soon follows.

Christopher and Zac soon find themselves at odds with one another and fear and paranoia lead the crew to form into factions and turn on one other which not only threatens the mission but their very survival.

The film was very engaging and while I saw the influence of Lord of the Flies early on; the engaging cast and setting make the film entertaining and enjoyable despite any really unexpected twists.

The young leads work well with one another and it will be very interesting to watch how their careers unfold in the years to come. “Voyagers” is a refreshing new take on a classic tale and provides an entertaining and engaging adventure for viewers to enjoy.

4 stars out of 5
If you enjoy reading my Spoiler-Free reviews, please follow my blog @
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When people ask me my favorite genre, I usually reply with the admittedly annoying and cliche “I enjoy every type of film”. While this is ultimately true, I do tend to love sci-fi and a couple of other genres more than the rest. I find sci-fi to be one of the most creative filmmaking sources, partially due to the infinite potential of its storytelling. From extraterrestrial life to an exploration of deep space, our world knows so little of what’s beyond our planet, which makes the respective genre a perfect framework for imaginative, unique fiction. Voyagers features an interesting cast, but Neil Burger was behind the disappointingly hollow Divergent saga, so I couldn’t help but go in with very low expectations.

Even anticipating a tough watch, I never thought Voyagers would be a contender for one of the worst flicks of the year. The general premise is far from being groundbreaking, even with the not-that-original spin that it puts on the “colonization of another planet” concept. Still, it’s considered a formula because it worked on several other occasions. It just doesn’t in this movie. The group of young people bred separately from the outer world could have received an innovative, inventive arc but instead follows an incredibly generic, dull, lazy character development path. The chaos and mayhem triggered by a single person – who just so happens to embody literally everything that’s wrong with our society – is as extremely forced as it is utterly ridiculous.

In fact, it even raises logical questions regarding the premise of the film. Obviously, people can be born into the same place with the same education, morals, and everything that comes with growing up and still develop a distinct personality. However, Burger doesn’t demonstrate why some characters end up challenging the authority and questioning their purpose. Everything happens because it needs to happen. A character performs an irrational action because the plot demands it. Most of the story development is given through absurdly childish dialogues, where a character repeatedly asks “why?” to someone with some sort of an answer.

Burger’s screenplay barely survives due to the lack of any exciting characteristic. From an obviously misleading subplot to the frustratingly predictable main narrative, this movie carries zero surprises. The horrendously choppy, abrupt editing work (Naomi Geraghty) turns an already complicated watch into something borderline irritating. Add weirdly creepy, nonsensical imagery of random life events on completely arbitrary points of the runtime, and Voyagers becomes a really hard film to genuinely enjoy. With no flow between scenes, the primary mission is lost in the first minutes, and the characters fail to complete any resemblance of an arc.

Actually, it’s ironically funny how Isaac Hempstead Wright (Bran Stark in Game of Thrones) continues the trend of not doing anything relevant in a movie or TV series. Unfortunately, not even the cast saves this disaster. Tye Sheridan (Dark Phoenix), Lily-Rose Depp (Crisis), and Fionn Whitehead (Dunkirk) try their hardest with the poor scripts, but some line deliveries are truly cringe-worthy. Colin Farrell’s (The Gentlemen) character suffers from one of Burger’s numerous bad decisions, ending up as yet another forgettable component of the film. The ending arrives way too fast, something that attests to the way too fast pacing.

In these cases where I struggle to find positives in the two pillars of any movie – story and characters – I turn to the technical elements to help me out. Sadly, Voyagers is one of the rare one-location films that doesn’t feel suspenseful or claustrophobic, despite many efforts. From the surprisingly ordinary score (Trevor Gureckis) to the by-the-numbers camera work (Enrique Chediak), there’s not a single aspect I can take with me as an “at least that was great” thought. I guess the set design looks futuristic enough for a spaceship, but once again, it’s nothing viewers haven’t seen before.

Voyagers holds a well-known, successful sci-fi formula and takes it through the most uninteresting, unsurprising, frustratingly generic development path. Neil Burger’s screenplay fails to deliver a creative, captivating story with compelling characters, offering the complete opposite. From the terrible editing work to the extremely lazy plot development, passing through cringe-worthy dialogues and randomly weird, irrelevant imagery, it’s tough to find a positive aspect in such a hollow movie. Even though most of the runtime is spent in a single location, the suspense levels are close to zero. The themes of the story are clear from the get-go, but the execution of almost every plot point or character action feels incredibly forced. The set design is the only technical component worthy of some appreciation. Not even a talented cast can overcome the awful scripts. A contender for one of the worst films of the year.

Rating: D-
It’s always nice to watch some unpretentious and industrious Hollywood B-movie science fiction in a cinematic landscape dominated by franchise-obsessed, superhero-crazed tentpoles. Unfortunately, ‘Voyagers’ never transcends its derivative origins and basic thrills.
– Jake Watt

Read Jake’s full article…
https://www.maketheswitch.com.au/article/review-voyagers-an-overly-familiar-journey
**A -HIGHLY- Intelligent & Thought 🌠 Provoking
Movie , Stylistically & Visually -FANTASTIC- . . . But One That Is Somewhat ” -_DIVERGENT_- ” From Its MPAA Certified PG-13 Rating 🤷‍♂️ .**

A “Good, Old Fashioned” **- _B I G_ -** Screen Mini Review .
______________________________________________________

Christopher : ” Maybe this is our true nature ” .
Richard : ” That’s  a profound thought ” .
______________________________________________________

I’ve -actually- come across -atleast- a 100 reviews on IMDb ( -_a similar forum to this one_- ) slamming ‘Voyagers’ for being, in essence : ” – Not Much More – than an ( outer space ) rip-off of a certain acclaimed author’s novel -turned film- “Lord of the Flies” ( 1954 ) . Here is my response to that accusation , in earnest. -All- Directors , & -All- Artists , frankly… are – Constantly – being ” inspired ” by prior artistic works, &  ” borrow ” from them far more often than we may ‘readily’ be prepared to admit. I would like to make it entirely clear that this most certainly – Not – the same thing as ‘ripping-off’, ‘plagiarizing’, or ‘stealing’. For the seemingly -endless-
contrarians on IMDb that have ruthlessly, even viciously, accused this undeniably – Enthralling – Space 🌌 thriller’s super-talented Director Neil Burger, known best for the critically rejected yet -popularly- “Colossal” ‘Divergent’ ( 2014 ) , of doing just that : Kindly note the ‘following’ . ” I’d be ‘willing-to-bet’ that if the bespoke ‘literary late great’, Author & Nobel Laureate William Golding, were somehow able to publicly opine on the
matter from the great-beyond ; he would be rather – Unequivocal – in lavishing praise on – This – particular iteration…. of that age-old ” _**Darkness-Of-Man’s-Heart**_ ( etc. ) ” theme ….presented here as a grand scale “Cinematic Thought-Experiment” of sorts. The pointed, Unbridled critique of the frailty of human nature offered in the picture, along with its perfectly paced and -unabashed- study of how ‘Serious-immorality’ can rear its ugly head in literally – Any – given social setting, is, in point of fact, completely & utterly **” FASCINATING ” ,** at the very -least- . Even just as a pure work-of-Art, the film works Beautifully 💙 , ‘in it’s own right’. Moreover, the ( somewhat ) “fresh-faced” ensemble of ‘Up-and-comers’, led by none other than veteran actor Colin Farrell, render their ( often ) “deliberately-Subdued” performances, for the most part, “To an absolute freakin’ tee” .

Summary : Alas, I know in my heart of hearts that I -Must- take a -Whole- point off this ( ‘ultimately’ ) fiery & riveting film’s overall score, & here’s why, in a nutshell : ” As a -Parent- you’d have to be a bit ‘bonkers’, really, to take your ‘Darling-13-year’old’ into this picture ( it is rated PG-13 ) ” ; & that is – Not – an exaggeration. Also, I feel that this – Should – really have been atleast a -Slightly- longer- film . . . . . exploring a few **” _KEY_ “** aspects of the story in greater depth. So, from me, all told, that’s going to be a ‘pandemic-Considerate’, yet nonetheless – decidedly – ” Inspired, Even **INVIGORATED** ” 7.75 Marks Out Of 10.00 🚀🔥🖖 .

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