Spirited Online Subtitrat in Romana

Spirited Online Subtitrat in Romana – [1080p]

Spirited

titular  : Spirited
:
arhivare :
gen muzical : Comedy

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Rise 2022 Online Subtitrat in Romana

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Rise

titlu  : Rise
a dezlănțui : 2022-06-23
arhivare : 113 Minutes
gen muzical : Drama

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Shabaash Mithu 2022 Online Subtitrat in Romana

Shabaash Mithu Online Subtitrat in Romana – [1080p]

Shabaash Mithu

calitate : Shabaash Mithu
a dezrobi  : 2022-07-15
arhivare : 156 Minutes
gen : Drama, History

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Space Jam: A New Legacy 2021 Online Subtitrat in Romana

Space Jam: A New Legacy Online Subtitrat in Romana – [1080p]

Space Jam: A New Legacy

calificativ : Space Jam: A New Legacy
lansare : 2021-07-08
arhivare : 115 Minutes
gen muzical : Family, Animation, Comedy, Science Fiction

A very creative alternate to the original. The story line is all original and updated with current times. Lots of great puns and looney jokes. Better than what I expected. However nobody can be Michael Jordan
Pros:
– Kong and the Iron Giant gave eachother a fist bump!
– It featured many characters from Warner Bros.
– Porky Pig roasting Al-G Rhythm in a rap battle
– Gabriel Iglesias and Zendaya provided the voices of Speedy Gonzales and Lola Bunny, respectively
– It was better than the first film
– LeBron James!
– There could a be a possible Space Jam spin off titled Wonder Bunny!

Cons:
– They never showed the Pepe Le Pew scene.
– I was hoping the Tune Squad would play against villains of Warner Bros.; Wicked Witch of the West, Sauron, Pennywise/It, Agent Smith…
– I was expecting a surprise twist, where Al-G Rhythm turns out not to be a bad guy but was actually helping LeBron understand his son more. The writers should’ve done more.
– Cringing moments
This has to be in the running for turkey of the year. It’s such a shameless example of bad storytelling, bad acting, and product placement that they might as well just have given you a goodie bag as you (prematurely) left the cinema replete with your Warner Brothers tattoo. It’s centres around the son of LeBron James being kidnapped by an evil AI. The only way he can be rescued is by LBJ and his new bestie “Bugs Bunny” putting together a team that can win a basketball game against team selected by the AI. That’s about the height of it – there are no characterisations worthy of note amongst the humans, and though it is quite nice to see some of Warner’s cartoon characters on a big screen again, any nostalgia that evokes is soon washed away by the sheer naffness of this whole enterprise. Quite whom this is for is anyone’s guess – but it sure wasn’t for me…

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Hostiles 2017 Online Subtitrat in Romana

Hostiles Online Subtitrat in Romana – [1080p]

Hostiles

calitate : Hostiles
lansare : 2017-12-22
arhivare : 134 Minutes
gen muzical : Western, Drama, History

RELEASED IN LATE 2017 and written & directed by Scott Cooper, “Hostiles” is a Western starring Christian Bale as a renowned Army captain who grudgingly agrees to escort a dying hated chief (Wes Studi) & his family from New Mexico to Cheyenne lands in Montana in 1892. Rosamund Pike plays a grieving settler that the detail picks up on the way. Rory Cochrane plays Sgt. Metz and Jonathan Majors Corp. Woodsen.

While the flick starts great and the Western “road movie” plot is full of potential, some elements are too contrived/unlikely (e.g. the whole fur trapper episode) or wannabe heavy (e.g. Sgt. Metz’ apology in the rain) and the film just wallows in unrelenting glumness. Still, there is some good in it and you’ll discern a glimmer here or there. It’s just that after the excellent set-up, I thought I was in for a great Western, but it wasn’t to be. The script needed serious rewriting.

THE MOVIE RUNS 2 hours & 14 minutes and was shot in New Mexico/Arizona/Colorado. ADDITIONAL WRITER: Donald E. Stewart.

GRADE: C/C- (4.5/10)
_Four Weddings and a Funeral Except the Weddings Were Actually Just Extra Funerals._

_Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._
I’ve killed everything that’s walked or crawled. If you do it enough, you get used to it.

Hostiles is directed by Scott Cooper and Cooper adapts the screenplay from the story written by Donald E. Stewart. It stars Christian Bale, Rosamund Pike, Wes Studi, Rory Cochrane, John Benjamin Hickey, Jeremiah Wilks and Jesse Plemons. Music is by Max Richter and cinematography by Masanobu Takayanagi.

In 1892, legendary Capt. Joseph J. Blocker (Bale) reluctantly has to escort his old Cheyenne adversary Chief Yellow Hawk (Studi) and his family through dangerous territories. The aim is to get them to the Cheyenne tribal homelands of Montana so Yellow Hawk can get his wish to die in peace.

Where we at these days with the grand old bastion of American cinema, the Western? The only real constant is that thankfully for lovers of the form there are new directors willing to tackle the genre and bring something to the newer generations. Here we have Scott Cooper, who right from the off hasn’t hid the fact that Hostiles is his rallying call for a better world, or at least a better understanding of different cultures. What better way to cry out than to do it in a Western, using the Indian Wars as the backdrop. Perfect really.

Hostiles jumps right out of the blocks to grab you by the throat with soul shattering violence, with Cooper and his team initially facing charges of old by fronting up a one sided argument – but there is more. Quickly a switch ensures that both sides of this particular bloody coin have been tossed, scene set for what will follow. A meeting back at Fort Berringer where Captain Blocker receives the orders he simply doesn’t want to obey is in hushed tones, yet the words being spoken are brutally loud and to the point. And on to the journey, damaged souls unbound who not only have to fear hostiles from outside their group, but the hostiles within it and within themselves.

As the story moves through the journey undertaken by our protagonists, the makers have not cut corners with the characterisations, the emotional development of the principals is one of the film’s strengths (cast are superb, there’s a real authenticity to their respective performances). Also worthy is the pacing, it is deliberately unhurried and allows the characters to breathe, it also gives the jolts of action more potency, whilst simultaneously we can absorb the stunning landscapes (New Mexico/Arizona) and rejoice at the pleasures of an outdoor Western. While how nice it is to have a musical score that doesn’t blunderbuss the important sequences, rounding out what is a top technical production.

There’s some irritants here, though, so it’s not perfect, and this is before it is marked poorly by those not in sync with the messages of the piece. Ben Foster turns up as Philip Wills, a most edgy character that makes one wish there was far more of him in the pic, for as it is it ends up feeling a bit pointless since he only emphasises what we have learned about Blocker at the start. Then there’s a key turn of events for the story’s coup de grâce that leaves a frustrating taste in the mouth, not as a film killer or even close in fact, but it should have gone another way one feels. Especially given the two sides of the argument stance Cooper and co had began with.

Yet this is for Western fans a real treat, following in the footsteps of new era classics like Dances With Wolves and Unforgiven, Hostiles may have a new age sensibility in its narrative thrust, but traditionally old age adultness propels it forward. 9/10

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They/Them 2022 Online Subtitrat in Romana

They/Them Online Subtitrat in Romana – [1080p]

They/Them

colontitlu : They/Them
comunicat de presă : 2022-07-24
arhivare : 90 Minutes
gen muzical : Horror, Thriller

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Valerian and the City of a Thousand Planets 2017 Online Subtitrat in Romana

Valerian and the City of a Thousand Planets Online Subtitrat in Romana – [1080p]

Valerian and the City of a Thousand Planets

titular  : Valerian and the City of a Thousand Planets
: 2017-07-20
arhivare : 136 Minutes
compoziţie : Adventure, Science Fiction, Action

A spectacular spectacle of a movie that faithfully adapts a French 1970s sci-fi comic book. If you think you might see it some day, you owe it to yourself to catch it in 3D on a big screen now. In a world of paint-by-numbers blockbusters, this is an invigorating slap to the eyeballs.

The flick would benefit from more focus and deliberation; often, story beats are glancing blows instead of precision hits. The biggest flaws, however, are found in the dialogue, which is at best serviceable and at times painful, probably owing to its transition through times, languages, and mediums.

Valerian isn’t perfect, it’s a bit clunky, but the sheer unusualness, whimsy, and wonder overpowers the movie’s faults, making it well worth watching.
It’s a fun movie, but it’s not what I would call a sci fi classic. It’s all spectacle, with eye popping visuals. It creates some really interesting side characters and alien worlds. The drawback is the two leads. They seem rather bland and one dimensional. Their romantic bantering is quite boring. The supporting characters are more colorful and interesting. If you are a fan of Luc Besson’s The Fifth Element, you will probably enjoy this. Just don’t expect anything too deep from this movie.
Well, the scenes start comin’ and they don’t stop comin’. Aaaand that’s basically the whole movie.

No, honestly by the end of it I was actually pretty on board. It took me a lot to get to that point though. The ham-fisted romance subplot they kept awkwardly grinding the movie to a standstill for was chief amongst the swill I felt I had to wade through to get to that point of enjoyment. The primary alien race being the most poorly animated was another. But somewhere between the Rhianna actually being bearable in this, and the Ethan Hawke character I want to see 500 more times, I did actually somewhat enjoy _Valerian_… Somewhat.

_Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._
I guess I am going to disagree both with the critics, wich of course is not at all unusual, as well as with a lot of the actual viewers of this movie by saying that I really liked this movie.

I guess that I can to some extent understand that some viewers are disappointed. That would be the viewers that have read the comics that the movie is based on. Unfortunately someone in the production team decided to take bits and pieces from several comic books and mash them together as well as change some key elements. It is really annoying when that is done. It is usually an indication that somewhere some dumbass who did not understand, and certainly did not respect, the source material had way too much influence on the production. It is really a shame since the comic book from wich the core of the of the story seems to be taken is certainly more than good enough to stand on its own.

Well luckily the mashup that they produced is actually bloody good. Something wich in my experience is quite rare. The Valerian comics lends themselves very well as a base for some spectacular sci-fi with plenty of weird creatures and spectacular scenery. Add Luc Besson to the mix and you have to spell spectacular in all caps.

This is definitely a Luc Besson movie. Plenty of action, spectacular (yes I repeat myself but this movie deserves it) scenery, a fair amount of weirdness. In short a lot of stuff this particular viewer likes.

The mashed up story is not too bad. It is predictable as hell of course, even though it is not following the comics, but it is making a decent job of tying together all the action and FX and the action and FX is really the main reason to watch this movie after all.
I have to say that I think most of the characters were pretty okay. It seems that the performance of the two main characters where generally not so well received by a lot of people. I guess I can somewhat understand that but I still cannot refrain from saying: Read the fucking comics! Okay it is a French comic and there are probably few people outside of France (or at least outside of Europe) that have read them. Me being one of the few of course. Anyway, Valerian and Laureline are supposed to be somewhat weird, silly and a little bit childish. Personally I think they did a fair job of interpreting the comic book characters the way they should be. We probably have Luc Besson to thank for not getting a some Hollywood, thirteen on a dozen, characters.

I do miss some bits of the real comics though. The transmutation animal played a much more visible role in the comic and so did the three information peddlers wich gave a much more professional impression in the comic book by the way. I also think it was a shame that they changed the story of the Muh so much. Their role in the comic book was much more impressive to me.

Still, most of the bits and pieces that is taken from the different comic books and mashed together are quite faithfully reproduced, at least visually and the results turned out really really good as far as I am concerned.

To wrap it up, to me, this movie was a fun, spectacular, action filled sci-fi extravaganza. A typical Luc Besson movie and I mean that in a good way.
I like this Movie very much. It reminds a bit about Avatar & John Carter. I can not Understand why it did Not make it to the Australian Cinemas. For this type of High Budget it would be worth watching in 3D Cinemas.
I gave it 10/10 **********
A disorrienting but somewhat delightful run through all manner of sci-fi imaginations. The acting was not good, and the storyline was sometimes incoherent, yet I have this strange urge to rewatch this thing. It’s harmless, fascinating fun, in ways like the original starwars experience (though much more visually spectacular, and much less narratively coherent).

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La Llorona 2019 Online Subtitrat in Romana

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La Llorona

campionat : La Llorona
a achita  : 2019-07-25
arhivare : 97 Minutes
gen : Thriller, Horror, Drama

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Brian and Charles 2022 Online Subtitrat in Romana

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Brian and Charles

generic : Brian and Charles
: 2022-06-17
arhivare : 90 Minutes
gen : Comedy, Science Fiction

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/brian-and-charles-spoiler-free-review-sundance-2022

“Brian and Charles will definitely end up as one of the most endearing, funniest, feel-good stories of the whole year. Jim Archer takes David Earl and Chris Hayward’s original screenplay and uses their extraordinary, amusing performances to bring to life a narrative about true friendship and authentic human connections.

The light humor consistently forces the audience to let go of strong, loud laughs, either through genuinely hilarious interactions between the two protagonists or using physical comedy and brilliant song selection.

It may not be never-seen-before content or as inventive as expected, but it manages to deliver a memorable, entertaining, heartfelt story with beautiful messages.

A must-watch!”

Rating: A-
Familiarities aside, _Brian and Charles_ is written in a way that tugs at your heartstrings and reminds us that we should be judged by what’s inside even if our insides are a plethora of tangled cords and flashing lights and not a beating, blood pumping heart. The film touches on loneliness and bullying that is easy to sympathize with if you’ve ever suffered from either. _Brian and Charles_ may revolve around a creative nerd as he succumbs to a violent bully, but the film is so pure and so wholesome that a little beach fanatic robot created in a cow shed makes you feel more human than any other film has in a long, long time.

**Full review:** https://hubpages.com/entertainment/Brian-and-Charles-2022-Review-Cinematic-Naivety-At-Its-Finest
David Earl is “Brian”. He lives in a cottage in a rural Welsh location where he regularly turns his hand to inventing. Much like “Caractacus Potts” in “Chitty Chitty Bang Bang” (1968), his inventions are far fetched, half baked and frankly rather daft. Until, that is, he decides to convert an old washing machine into a robot. Miraculously – probably thanks to a mouse and a terrific thunderstorm – this robot comes alive, decides he wants to be called “Charles” and the two start to bond in a sort of parent to infant fashion. The latter having sped-read a dictionary is curious and inquisitive and determined to explore beyond the bounds of their small holding. “Brian”, however, is much more wary of the reaction of their fellow villagers – a suspicion that is well founded when the local bully “Eddie” (James Michie) espies said creation and decides to procure him for his own daughters. Now it falls to to “Brian” and his parrot-loving friend “Hazel” (Louise Brealey) to rescue “Charles” from quite a grizzly fate. This film takes for ever to get going. Much of it is told as a monologue between “Brian” and the camera that I found missed many more times than it hit. “Charles” does come out with some witty observations that reminded me of the “out of the mouth of babes…” quote and that decent naivety and innocence is engaging for a time, but the joke wears really quite thin and resorts a little to rural stereotyping that didn’t endure well for what felt like much longer than 90 minutes. It’s an amiable enough watch, but perhaps wait til it appears on television in due course.

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The Man from U.N.C.L.E. 2015 Online Subtitrat in Romana

The Man from U.N.C.L.E. Online Subtitrat in Romana – [1080p]

The Man from U.N.C.L.E.

colontitlu : The Man from U.N.C.L.E.
a dezlănțui : 2015-08-13
arhivare : 116 Minutes
compoziţie : Comedy, Action, Adventure

The high-powered and hyper-kinetic ‘The Man From U.N.C.L.E.’ is a pulsating production that one would expect from the off-kilter imagination of writer-director Guy Ritchie whose flashy and furious actioners such as ‘Snatch’ and ‘Lock, Stock And Two Smoking Barrels’ are indicative of the filmmaker’s excess frivolity. So it is not much of a shock that Ritchie’s big screen adaptation of the iconic 60s television series that featured the retro-suave Robert Vaughn and golden-haired heart-breaker David McCallum takes on a sleek, stylish and impishly erratic mix of intrigue and frolic.

The consensus is that ‘The Man From U.N.C.L.E.’ continues the wave of nifty and naughty-minded colourful espionage spectacles that seem to have invaded the summer of 2015. Perhaps when one cries ‘U.N.C.L.E.’ it will not be as challenging or convincingly crafty as the more cerebral and stimulating ‘Mission: Impossible-Rogue Nation’. Still, Ritchie’s off-beat serving of ‘The Man From U.N.C.L.E.’ is mindless fun and roguishly cheeky.

Sure, at times the boisterous bounce in ‘U.N.C.L.E/’ feels rather strained as Ritchie’s foray into the James Bond-esque territory featuring the off-balance smoothness of twitchy twosome Brit Henry Cavill (the ‘Man of Steel’ star portraying American CIA Agent Napoleon Solo) and Armie Hammer (incidentally sporting a catchy and clever moniker) as Russian KGB Agent Illya Kuryakin spirals into a cliched cavalcade of mischievousness drowned out by surging surf music, crazy-minded and bright-coloured landscapes, perfect-looking protagonists and wildly penetrating predicaments in its manufactured action sequences. Nevertheless, ‘The Man From U.N.C.L.E.’ still generates a sense of rousing charm and insane impishness to carry out its agenda for off-the-cuff espionage escapist frolicking.

Some may not mind the make-up of ‘U.N.C.L.E.’ as a saucy buddy action flick in disguise as Cavill and Hammer drolly inhabit the kooky coolness of TV’s dynamic duo spies from yesteryear. Nobody will ever claim that Cavill and Hammer are trying to ape the small screen spying antics of original U.N.C.L.E. bad boys in the aforementioned Vaughn and McCallum any time soon. The exaggerated juiced-up chase scenes, the inclusion of high-volume spunk and wit, devious femme fatales that parade around as hormonal trophies…all add to the high-wire hedonism of Ritchie’s off-centered international gun-toting caper.

Ritchie’s co-written screenplay, along with Lionel Wigham of ‘Sherlock Holmes’ fame with ‘Harry Potter’ producer credits, does not provide much of a deep-seeded story other than its need to indulge the audience in its shifty shenanigans as an over-the-top ode to a classic couple of televised operatives that baby-boomers will fondly recall from their childhood reminiscences. The premise is somewhat painfully familiar as two clashing spy guys with different approaches to the espionage game join at the hip to stop a madman planning to engineer nuclear destruction for a vulnerable world. Of course, in attempting to stop such unthinkable madness we are overcome with the philosophical tactics and mannerisms of the targeted tandem looking to spread some spice along the way in saving the world from certain cartoonish devastation.

Solo is the capable cad whose free-spirit and ease on handling a sticky situation is met with instinctive, cavalier American ingenuity. Kuryakin, on the other hand, seems to be disciplined in his uptight ‘play-it-by-the-book’ demeanor as the cold Russian enforcer without a sense of straying from his boundaries. Together, this debonair ‘ying-and-yang’ pair of free-wheeling agents form as one in their mission to foil the demented deed of others. Isn’t that special?

In essence, ‘The Man From U.N.C.L.E.’ believes in its wheeling-and-dealing hype and that is not necessarily a bad thing. It does not pretend to be anything other than what it is at large, a spry, jet-setting caper where playful doom and gloom is played out against a backdrop of elegant locales not to mention a spruced-up soundtrack to accompany the animated proceedings. As usual Ritchie punctuates his theatrical releases with loose-minded lunacy happening at a fast pace. The outlandishness of ‘U.N.C.L.E.’ is truly true to form in the tradition of the funky and frenetic fables that Ritchie loves to spin at will.

Both Cavill and Hammer seem to get inspiration out of their dressy roles as the inventive spies with a knack for carousing and chaos. The wily women that are at the center of attention for Solo’s/Kuryakin’s romancing interests in Elizabeth Debicki’s vivacious Victoria and Alicia Vikander’s toxic Gaby is refreshingly stimulating and reinforces the suspenseful jolt. As the commanding Waverly that oversees Solo and Kuryakin, Hugh Grant does not hold a candle to the late great character actor Leo G. Carroll, that was so memorable as the head honcho that pushed the buttons in the background for both Solo’s ‘The Man From U.N.C.L.E.’ and later April Dancer’s (Stephanie Powers) ‘The Girl From U.N.C.L.E.’

So here is to the jousting ‘U.N.C.L.E.’ enjoying its considerable A.U.N.T (‘A Unique Nifty Time’) at the busy summertime box office.

The Man From U.N.C.L.E. (2015)

Warner Bros. Pictures

1 hr 43 mins.

Starring: Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Sylvester Groth, Christian Berkel, Luca Calvani, Misha Kuznetsov and Hugh Grant

Directed and Co-Written by: Guy Ritchie

MPAA Rating: PG-13

Genre: Spy/Espionage/Action & Adventure/Spy Thriller

Critic’s rating: ** 1/2 stars (out of 4 stars)
I know Ritchie gets a lot of flak for being a Tarantino copyist, but I really enjoy the films of the Brit that I’ve seen so far. They’re great fun and more enjoyable than the grim-a-thons that the James Bond, Mission: Impossible and Jason Bourne franchises have churned out, though I love those as well. I thought the casting was a nice in-joke, pairing DC Comics’ Superman with Marvel’s Captain America, and I have loved Alicia Vikander’s work since seeing her years ago in ‘A Royal Affair’. I thought at the time she exuded both acting chops and sensuality out of every pore and would be a real monster if she ever went international–which she definitely has, both here and in ‘Ex Machina’. Though I have never seen the TV series, I felt the camaraderie between the stars was refreshing, the car chases and other stunts were excellent, and, in a year most saturated with spy films (thankfully, for enthusiasts such as I), although it tanked at the box office, I for one hope it becomes a franchise. Why put the brakes on a good thing?…
> A very pleasing action-comedy with the balanced sensitive contents.

Another brilliant action-comedy from Guy Ritchie. I never saw the 60s television series of the same name, but this was very convenient for his style of portraying the tough men showing off their strength. The actors were simply wonderful, two year commitment by the two lead guys for this project definitely payed off well and Alicia Vikander filled the feminine void perfectly. I think it was one of the best trio in the movies I ever seen, very powerful and I hope it lasts for a trilogy.

The story sets in the 60s during the cold war tension between the world’s two superpowers. But the film’s specialty was, it does not render clash between them, instead they come together to fight the rogue forces who plan blitz against them. Very humourous, highly entertaining with a swift pace and amazing action sequences.

I don’t think the narration had any unique twist and turn, instead I call it a smartly written screenplay. So the overall movie was so good, but not a top-notch. My disappointment came from the technical side in some of parts, especially the bike and car chase in the last quarter that you can clearly tell a fake (greenscreen/bluescreen shot). Other than the main plot and its clever scenes, the movie did not offer distinctive features. Just taking away a ½ point is what places it on a line between good and average, but I definitely consider it a good.

6½/10
_The Man from UNCLE_ 2015 #Action #Comedy Origin story of UNCLE 8/10 tinyurl.com/hvakyx4 🎬 🃏 👍 ⏰ 🔫 🎼

In the early 1960s, CIA agent Napoleon Solo competes with KGB agent Illya Kuryakin to find Gaby Teller’s nuclear scientist father. They need to get her out of East Germany first, then follow leads to the father, who seems to be building a bomb for a rich family in Italy. Will they stop the use of the nuclear device? Will Napoleon survive torture by Gaby’s Nazi uncle? Be ready to laugh; this is not a dark humourless POS like the superhero films; rather, it’s a light hearted romp.

*Image courtesy of The Movie Database*

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