X-Men: Apocalypse Online Subtitrat in Romana – [1080p]

colontitlu : X-Men: Apocalypse
a lansa  : 2016-05-18
arhivare : 144 Minutes
compoziţie : Action, Adventure, Science Fiction, Fantasy

Not really a step forward in the X-Men franchise. Read my full review here.

http://www.hweird1reviews.com/allreviews/x-men-apocalypse-review
Though far from the worst _X-Men_ film, _Apocalypse_ was still a disappointment, because until this entry, every Bryan Singer _X-Men_ film had been excellent. _Apocalypse_ is a far cry from terrible, but it is underwhelming given Singer’s history, as well as in and of itself.

Certain actors, who shall remain Jennifer Lawrence, were completely checked out in this instalment. The CGI was often so bad it was confronting, even in the climax of the film. Apocalypse’s plan was plot-hole-y and underdeveloped, and not all of the new characters hit it out of the park.

There was still a lot to like here though. Some of the newer costumes were neat, and a lot of the side-plots had me very intrigued. Fassbender and McAvoy are excellent as always. It’s certainly not a failure amongst the likes of, for example, _X-Men: The Last Stand_. Which was a good callout in _Apocalypse_. Another thing I enjoyed.

_Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._
**Another ancient power was awoken and blah blah blah.**

I have seen almost all the superhero films of the recent time, but this is the franchise I never liked. I’m sorry to say that, but that’s the truth. The ‘X-Men’ series never made me sense, particularly to say it from the Marvel comics is a disappointment. When it comes to ‘Wolverine’, my opinion is different, because I loved those films. Hugh Jackman as Logan is the only ‘X-Men’ I love, so like usual this is another waste of time from its series to me.

I even enjoyed the recently rebooted ‘Fantastic Four’, but not this one. There’s nothing new in the story, it’s the same plot stolen from the different films. Like an ancient force is awoken who tries to rule the world by destroying everything created so far by the humans. So the mutants join hands to bring him down and we know what happens at the end. Apart from the vfx, this is very boring film and 150 minutes runtime was another lengthy joke that you never laugh.

Not just me, many people, even ‘X-Men’ fans showed displeasure over this film. That means, Bryan Singer’s stint with the franchise is pretty much over. So they will going to bring a new one and that’s another disappointment, because I don’t know how long they’re going to drag this series. End it already. Anyway, like I said I never was or will be this universe fan, so I don’t care much, rather I just give them a try when they get released and obviously I’m to end in regret watching. Instead, I’m looking forward to the final ‘Wolverine’ film with Hugh Jackman.

_5/10_
X-Men Apocalypse is typical of what you would expect from a Marvel X-Men movie. Light on story and depth and heavy on special effects and action. In short it is exactly what I, as a Science Fiction and Fantasy geek, would expect as well as hope for.

The X-Men faces a new threat in the form of the worlds first mutant. Naturally said mutant is really a Übermutant vastly more powerful than any “normal” mutant. Equally naturally this Übermutant is set on a path of world destruction and domination. I quite liked this villain. He is a good all evil and powerful bad guy and a worthy adversary. No nonsense about trying to make the villain likable or trying to explain why he turned evil or such like. This guy is evil, he is the bad guy, he needs to be taken down…full stop.

As I wrote the story is not the most elaborate one around but it is a good one within the confines of a Marvel super hero movie. It gets the job done without being overly stupid or silly. It is set in the “prequel” universe created by X-Men First Class. The movie adds a few new X-Men to the ranks of Professor Xaviers team. Some of them thanks to the manipulations of Apocalypse although they start out on the bad side at first.

The movie moves along at a decent enough pace and, as was mentioned, there are quite a few action sequences and special effects thrown at the viewer throughout the movie. Personally I found the special effects to be quite good. Even stunning at times. I am quite a bit of a special effects nerd so of course this pleased me a lot.

The movies ending certainly opens the door to future X-Men movies and I for sure would like to see the franchise continue. I very much enjoyed these almost two and a half hours in front of my TV set.
*** This review may contain spoilers ***

After immensely enjoying the turn the X-Men franchise took after the disappointment of X-Men: The Last Stand, I was pretty excited to see this movie. I love comics, but I never got into the X-Men, so I can excuse some of the inaccuracies that seemed to upset hardcore fans. I just enjoyed the movies.

X-Men Apocalypse is the weakest film since duds like Last Stand and Wolverine Origins. It just didn’t have a whole lot going on. One of the biggest critiques of Marvel (yes, I know X-Men films aren’t produced by Marvel Studios, but I’m speaking of the publisher of the original medium) is that their villains are lackluster. The big baddie through the whole franchise has been Magneto, easily the most charismatic and entertaining Marvel villain on film. Though we’ve had brushes with Stryker and Trask and his sentinels, this is the first movie in which the X-Men had taken on a true super villain who wasn’t Magneto– Wolverine vs. The Silver Samurai aside.

But it’s almost like director Bryan Singer painted himself into a corner with Apocalypse. The villain was too powerful and could have easily achieved his goals without the help of his “four horsemen.” He could have ended the world, in mere minutes, all by himself. But, of course, that would make a boring movie, so Singer and Co. had to figure out what to do with the world’s most powerful and dangerous mutant for two hours before the final climax was to begin.

There were scenes where the villains were literally sitting around the desert talking about how they were going to lay waste to a city on the horizon. There were scenes where the most powerful of the villains went out recruiting much less powerful villains to join him. Really, Singer just didn’t know what to do with this character. How do you create conflict and drama when the bad guy is just too powerful? Well, you can’t.

Of course, after two hours of watching the most powerful mutant ever talk about what he is going to do (instead of simply doing it) he finally unleashes his fury. Except that, the X- Men actually have the most powerful mutant in the world on their side in Jean Grey.

So, again, why is Jean not simply destroying Apocalypse in the first 10 minutes of the movie? Because, running time needs filler.

And that’s basically what this movie is: Filler. They came up with a concept that would make the storytelling aspect problematic. And rather than tweaking the concept or fleshing out the story with subplots, they just assumed explosions and superhero fights would be enough to carry the film.
What a let down after Days of Future Past (the best X-Men movie ever, in my opinion). Bryan Singer has usually directed some of the best films of the franchise but this one is a real clunker. Too many characters with not enough development and a very lackluster villain. Oscar Isaac is a talented actor, but even he can’t make Apocalypse interesting under all that silly blue make up. Characters like Angel and Psylocke, as Apocalypse’s horsemen, are very thinly written and barely have a personality. Also, it is absolutely ridiculous that the villain Mystique is transformed into a role model and leader for the X-Men in this movie. Jennifer Lawrence looks bored throughout and barely appears as Mystique’s true blue self even though she’s supposed to be an out and proud mutant. A real disappointment.
***Ranks with the best in the X-Men franchise***

Released in 2016 and directed/co-written by Bryan Singer, “X-Men: Apocalypse” has the team go up against the first mutant, Apocalypse (Oscar Isaac), whose origins date back to ancient Egypt. After thousands of years in stasis, Apocalypse is immediately disillusioned by the state of the world and so recruits a team of worthy mutants, including a dispirited Magneto (Michael Fassbender), to purge humanity and craft a new world order over which he will reign. Professor X (James McAvoy), with the assistance of Raven (Jennifer Lawrence), leads a team of young X-Men to stop their greatest nemesis and save mankind from complete destruction. Josh Helman is on hand as Col. Stryker.

This sixth film in the franchise (not including the several spin off films) easily ranks as one of the best. It includes many of the best elements of the X-Men and everything I would want in a great X-Men flick:

Professor X’s ongoing goal for an educational sanctuary for interesting mutants from all over the world; his love for Moira (Rose Byrne); Magneto’s increasing mastery of his great powers and his struggle to go on the offensive against prejudiced humanity; a greater focus on Cyclops (Tye Sheridan) and his potent power, both of which were neglected in the original trilogy; an outstanding actress to play Jean Grey (Sophie Turner), who is far better than the bland Famke Janssen; Olivia Munn’s ultra-hotness as Psylocke; a worthy subplot on Weapon X with the corresponding guest appearance of Wolverine (Hugh Jackman); an excellent collection of young mutants, like Storm (Alexandra Shipp), Beast (Nicholas Hoult), Quicksilver (Evan Peters), Nightcrawler (Kodi Smit-McPhee), Havok (Lucas Till), Angel (Ben Hardy), etc.; a worthy main villain in the mold of Dr. Doom and Thanatos; an epic, apocalyptic final act (sorry); I could go on and on.

This isn’t to say the movie doesn’t have faults, however; the cartoony overblown prologue in ancient Egypt is Exhibit A.

The film runs 144 minutes and was shot in Quebec, Canada (Greenfield Park, Montreal and Oka).

GRADE: A-
Plenty of action with good acting, however, Apocalypse (the villain) lacks originality. X-Men: Apocalypse is a mediocre film in the respected franchise that is “X-Men”

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Run Hide Fight Online Subtitrat in Romana – [1080p]

subtitlu : Run Hide Fight
: 2020-09-10
arhivare : 109 Minutes
compoziţie : Action, Crime, Thriller

There’s something disturbingly simplistic about Run Hide Fight. It takes what is actually a complex problem, mired in issues of poverty, inequality, an institutionalised culture of violence and more and reduces it to a basic formula.

High school shooters are presented as violent, immature, sometimes mentally ill, narcissists and little more. Certainly there may be elements of this, in these events but there’s a lot more to than that.

I felt the handling was uncomfortable and somewhat troubling, leaving a tale that not only failed to resonate but to me, felt a little exploitative.

Acting wise, its on the money. This film is outside my demographic but I’m a big fan of Thomas Jane, so I took a look. Jane does not fail to impress but his is really a peripheral character. The main role falling to Isabel May.

May hands in a sardonic, fraught but ultimately hopeful performance as a Rambo/John McClane (Die Hard) style character.

The pacing works and there is plenty of action to keep things rolling along.

That said, for me this is a sombre subject, that I feel deserves the sort of mature treatment offered up by Michael Moore’s insightful documentary, Bowling for Columbine (2002).

6/10.
Run Hide Fight is a suspenseful thriller that examines the horror of school shootings, a very real problem in our society. The audience is left on the edge of their seat and entertained without being lectured by Hollywood, and American values such as self-reliance, tenacity and bravery are openly celebrated.

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Girls To Buy Online Subtitrat in Romana – [1080p]

colontitlu : Girls To Buy
declanşator : 2021-11-26
arhivare : 136 Minutes
gen : Drama

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The Ghosts of Borley Rectory Online Subtitrat in Romana – [1080p]

calitate : The Ghosts of Borley Rectory
declanşator : 2021-10-11
arhivare : 80 Minutes
compoziţie : History, Horror, Drama

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The Platform Online Subtitrat in Romana – [1080p]

titlu  : The Platform
declanşator : 2019-11-08
arhivare : 95 Minutes
compoziţie : Drama, Science Fiction, Thriller

*don’t waste your time*. Most of the movie happens in a sort of multi-floor prison where the top levels can control the food that goes to the bottom floors. This created a sort of class structure where top-levelers had pleasure on denying food to the bottom levels, although the floors were sorted periodically. The protagonist started to question this structure and tried to change it. Although starting well, the movie lost its track trying to be too much symbolic and enigmatic. The ending was very disappointing leaving too many loose ends that should have been closed.
A violent form of demonstration of the problems of capitalist society. Despite the fact that the level of violence is too much for me, I understand purpose of it for narration. Actually I find this film quite spiritual. The parallel between Jesus and Christian values is quite obvious.
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Netflix has been supporting small, independent filmmaking for a while now. In 2018, Roma (re)opened a Best Picture nomination path to foreign films. Last year, Martin Scorsese’s epic The Irishman could only come to life via streaming since no major studio wanted a three-and-a-half-hour runtime for a theater release. Between these two, dozens of other indie flicks got Netflix’s (or other streaming networks) support. 2020 brings us a Spanish horror-thriller from a first-time director (Galder Gaztelu-Urrutia): The Platform (or El Hoyo).

Since its showing at TIFF, this movie has been receiving overwhelmingly positive feedback. So, obviously, I needed to add it to my list. I watched it a couple of days ago, and I wanted to take time to think about it because it’s definitely going to become a divisive film, especially among general audiences. The Platform carries an extremely abstract narrative, filled with symbolism, metaphors, analogies, and allegories to our political-social-economic situation. It’s not a straightforward thriller at all.

It’s a tremendously intriguing concept, developed through captivating storytelling and a very dark tone. It’s a prison that resembles our society of today. Filled with hypocrisy and selfishness. One month, you’re the king of the world on a level where food comes in excess, but you still want it all for yourself, ignoring desperate requests from down below. As soon as in the next day, you’re a miserable human being, fighting for scraps with your “cellmate”, and on the exact same position those desperate people were before… And now you want their help?!

That last narrative analogy to the real world is undoubtedly my favorite. I was never a fan of politics (who is?), so analogies and symbolism regarding that part of our life don’t really impact me. However, it’s clear that the screenwriters put a lot of effort into making such a meaningful story. If the ambiguousness is removed from the screenplay, there’s still plenty to enjoy. Goreng’s arc goes from just trying to get a diploma to actually save the people from lower levels. His story takes the viewer through tons of violence, blood, gore, and genuinely disgusting sequences.

Therefore, people who want straight-up popcorn-action instead of a more philosophical take as the filmmakers intended, there’s a lot to be entertained by. The Platform is also another proof that you don’t need a massive budget to build an immersive atmosphere. The set and production design are as simple as they could be, but it’s especially due to that simplicity that the claustrophobic prison works so well. For a directorial debut, Galder Gaztelu-Urrutia does an excellent job of controlling the pacing and applying the right shots to each situation.

Unfortunately, my main issue is the same as most people: the ending. I will restrain myself from giving away any minor spoilers, so I’ll just write that it doesn’t work at all levels, at least not for me. As expected, it’s as ambiguous as the rest of the movie. As soon as I finished the film, I was frustrated by so many unanswered (logical) questions, and after a couple of days of thinking about it, these questions still exist. You’ll never find an answer to everything, but that was never the main goal. There has to be a balance between reality and fiction. Between what’s real and what’s just a metaphoric symbol. No one can justify *everything* with “oh, it’s just a representation of something else”.

For me, there are two ways of interpreting the ending: I could either take everything literally, which would raise tons of questions without an answer, or I could try and solely look at the story through Goreng’s perspective. I do believe the latter approach is the best one, even if it still carries other issues regarding secondary characters. It doesn’t answer everything, but it’s the perspective I find to make more sense with the movie. It makes the screenplay more cohesive and congruent.

Nevertheless, the problem I can’t seem to avoid is the abrupt break in tone. For such a brutal, raw, bloody display of human behavior in a situation of survival (the way colors are used is very clever), the climax feels detached from everything that comes before. The underlying themes are there from the get-go, but these are precisely what they are: secondary messages lying under a pretty real story. Going from horrible murders, sacrifices, and God knows what else, to such a philosophical, soulful ending in the way the film does… it’s far from a seamless transition.

Basically, if you go in expecting definite answers about whatever this prison is, who controls it, and how it truly works, you’ll probably leave disappointed and frustrated. It’s one of those movies that heavily relies on how people perceive its ending and how much impact does it cause on an overall opinion. Looking at the conclusion solely from Goreng’s perspective works the best for me, even if some unanswered (logical) questions still exist. The abrupt break in tone transitioning to the film’s climax is my main problem, but The Platform has plenty of positives. An extremely intriguing premise is developed through remarkably captivating storytelling, and an exceptional cast elevates the well-written screenplay. First-time director Galder Gaztelu-Urrutia and his team do an excellent job. Set and production design prove how a small budget can still create an immersive, claustrophobic atmosphere. Even if the ending only works partially, the symbolism and allegories of our world’s politics and social-economic situation are a brilliant, thought-provoking piece of a screenplay. I like more it the more I think about it.

Rating: B+
A fantastic watch, will watch again, and can recommend.

This is a survivalist movie, heavy with philosophy of morality. A lot of the time when I get to say anything close to that, I get to say, “but there is humor too”, there is not: not traditional humor anyways.

This is a dark movie filled with metaphor and cruel reality. Now while I am usually offended by reality encroaching on my escapism, that is normally when I’m trying to watch dirt humor. When to take a concept like this, the relation to reality only strengthens the movie.

“Those above, and those below” is something to think about, and if that intrigues you or you’re already onboard for a philosophical discussion of anti-hierarchical class society structure, or intrigue by the idea that it doesn’t matter who or when someone is in the class structure: it defeats the society just by being.

The production value is minimal but sufficient, and I think that is by design. It does live in the land of bad dubs, but not enough for me to fault it.

Give this a shot: you might be surprised at yourself or your company.
Rate: zero

This is what happens when we build a house for a door (instead of building a house and then put doors in it); An exotic, dirty and cluttered movie. Dirty but not necessarily in the visual meaning but in the cinematic meant. The director does not know what he wants to do at all, the camera angles, the frames, the compositions and everything are completely in the air, he just knows he wants to beat capitalism but he does not know how and for this purpose, which is what He does not do well, he comes to the great art of cinema and insults it with this film. A film must first become a cinematic work and then speak, first a house must be built and then several doors must be left for it, it is not possible to throw an ideology in the middle and make a film around it, of course, if it is possible to call this film, a film! Symbolism and the use of symbols are correct when the director does not shout with every dialogue and every scene that this object is a symbol! The symbol should not be completely revealed to be a symbol. If he is going to make a symbolic film, he must first know how, then put signs in his symbols, not to turn the whole film into a bunch of ridiculous symbols. From one place, the director does not even remember what his goal was and enters another phase, which he thinks is a revolution. Not only he does not understand and show the revolution, but he forces his two main characters, who are not characters at all, to beat everyone so that they can only get food to the final stage! you are kidding! How do these movements represent revolution, leftism, and helping others? They go downstairs and beat everyone, and finally they feed their ridiculous symbol (the dessert) to the child and send him down to, for example, when she returns to the top floor, the tyrants become surprised! So what? what will happen! Did the film become a leftist film? Did it promote revolution and resistance? Did it help everyone and save them? Never. In general, it can be said that “Platform” is a disgusting, ridiculous and shameless film that insults both the cinema and its audience, and there is no cinematic or ideal value in it, and in the humblest case, even a slogan.
An extremely cruel and disturbing psychological dystopian thriller.

7/10

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Kung Fu Panda 3 Online Subtitrat in Romana – [1080p]

calitate : Kung Fu Panda 3
a slobozi  : 2016-01-23
arhivare : 95 Minutes
compoziţie : Action, Adventure, Animation, Comedy, Family

Kung Fu Panda 3 does not disappoint. It has great animation, great music, and a great story. We loved it. My son, who is 9, enjoyed the story and thought the movie was very funny. The panda theme was adorable as pandas are cute animals. Also, the scary guy wasn’t that scary – and was more funny. Jack Black is hilarious and everyone in the theater was laughing. There were some sad moments and some happy moments but you leave the theater feeling uplifted. If you like action movies, you will like this because many things explode but there is no gore. The colors of the film are quite beautiful and lush. Go see it! You will enjoy it. Take your kids.
> This time no Skadoosh, but Chi time.

Three successful films in an animation franchise is a great achievement and according to the production house, yet another 3 films are going to hit the screens in a decade of time. So if you are an animation fan, especially ‘Kung Fu Panda’ and Po’s fan, brace yourself for the future treats. This film was amazing. After two wonderful adventures, now this story has calmed down a bit with simplicity. Visually, it was spectacular with all those fight sequences, but the story was quite dramatised with enough comedies and then the final battle to conclude the 3rd installment on a high note.

I think it was a well designed storyline in advance keeping in mind 5 to 6 films, that’s why the flow was very smooth between all the three with those flashbacks placed at the right place. This particular part belongs to Pandas, the furious five were absent in most of the film, but good to see the return of Oogway. The master Oogway comes at the beginning and then during the end, though very happy for presence as he’s my favourite character in this franchise. He’s not a big player, but like Yoda, he’s amazing and tell me who won’t like him.

This time no Skadoosh, but a new villain with a battle fought for a new powerful thing called Chi. Now Po got a promotion, so I’m very excited for the next film for how it will going to turn out. This is a beautiful family film and must not miss it. All the cast was returned from the previous two and a few more new were recruited and it is set in a new location for the most of the narration like the most of the animations has done in China. After all made in China is not so bad.

8/10
Kung Fu Panda 3 is about what you would expect. A roller coaster ride of gags, goof ups and outrageous martial art outbursts.

Po is himself, clumsy, naïve, martial arts master and funny. As usual he is accompanied by his friends from the previous movies including the somewhat reluctant Shifu. The wise turtle Oogway from the first Kung Fu Panda is back as well, kind of.

Naturally there is a big bad villain, General Kai, who it turns out have some past relations to Oogway. General Kai is pretty good as a villain with a suitable maniacal expression on his face. Then of course, a bull in itself is already projecting bad temper and violence so it is a good start.

The main story is of course about defeating General Kai but Po’s reunification with his (real) father and the rest of the, funny and very clumsy, inhabitants in the Panda village is taking up a large part of the movie.

In general the story is quite nice with some nice twists.

It should come as no surprise that Po, as usual, saves the day in a cataclysmic showdown with General Kai. There are some great animation effects in the final battle.

At the end of the day this is a quite recommendable family movie.

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Chef Online Subtitrat in Romana – [1080p]

calitate : Chef
a lansa  : 2014-05-08
arhivare : 114 Minutes
gen muzical : Comedy

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Salem’s Lot Online Subtitrat in Romana – [1080p]

calificativ : Salem’s Lot
: 2023-04-20
arhivare :
gen : Horror, Thriller

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Den of Thieves Online Subtitrat in Romana – [1080p]

titlu  : Den of Thieves
a lăsa  : 2018-01-18
arhivare : 140 Minutes
gen : Action, Thriller, Crime

Great Movie! Loved the plot and the twist. Tense throughout. Glimps of The Usual Suspect
All star cast. Must watch
Den of Thieves is a heist/caper film with a running time of 140 minutes. The movie gives tribute to classic crime thriller movies, including Heat (1995) and The usual suspects (1995).

Den of Thieves is the directorial debut of Christian Gudegast, he also co-wrote the script and produced the film. The film features fast paced action sequences. Both the videography and sound of the film were very good. The acting and the plot twist was also good but the film contained some plot holes, some deficiencies in the writing.

Final verdict: 6.5/10
For a movie that’s basically just _Heat_, _Heat_ this ain’t.

_Final rating:★★½ – Had a lot that appealed to me, didn’t quite work as a whole._
I’ve always wondered why nobody ever thought of pinching the banknotes that were about to be shredded or incinerated and making a killing! Well “Merrimen” (Pablo Schreiber) has alighted on just such a plan – and he aims to relieve the Federal Reserve of $30 million in a daring heist. Unfortunately for him, local cop “Nick” (Gerard Butler) has been following him for an while, and when one of his other would-be raids results in his leaving with nothing but dead policemen in his wake, “Nick” apprehends his suspected associate “Donnie” (O’Shea Jackson Jr), learns of the plan and determines to both thwart it and to apprehend his nemesis. So far, it’s all quite interesting and the first half hour is pretty action packed. Thereafter, though, the whole thing sort of grinds to an halt. The planning and execution of their robbery is interspersed with the police counter-plan in a dialogue heavy – frequently peppered with some unedifying homophobic language – and clunkily delivered fashion. There are just too many characters; most people who have a gun couldn’t hit a barn door with a shovel and the two leading characters do little, if anything, to engage the audience. I actually found myself wanting “Merrimen” to succeed, and Butler just hasn’t the gravitas to carry this for what seemed like an endless 2¼ hours of relentless chases, misses, more chases and more misses before an ending that had a touch of chivalry to it, but that I found not worth the wait.

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calificativ : Copshop
a dezrobi  : 2021-09-09
arhivare : 107 Minutes
gen : Thriller, Crime, Action

Entertaining gun action

A remote police station, a detainee with unknown identity, and impending doom – sounds familiar? Yet this is no Assault-on-Precinct-13 remake, but a fresh take on this familiar stage.

It’s not a deep psychological thriller, nor a triple-A action movie, not a baffling new take on known cliches.

But what it is, is: entertaining. No boredom, no groan-worthy plot holes; a pinch of over-the-top action added to good acting, with the plot a good mix of known and new elements, so it doesn’t feel worn out. Solid direction and production values.

It’s not a must-see; but for pure entertainment, I definitely recommend it.
In loads of old westerns, the sheriff would ask you to leave your guns at the door – well, this requires you to do that with your brain. If you try to study it in any sort of detail, then the plot holes will sing far more loudly than Aretha Franklin (or Jennifer Hudson) could ever hope to do. If you do, though, then it is quite an efficient little shoot-em up that sees wily old Gerard Butler (“Viddick”) and his prey “Murretto” (Frank Grillo) engaged in a life or death siege inside a police station with only the rookie “Valerie” (Alexis Louder) and an armour plated door between them and the mad as cheese “Lamb” (Toby Huss). Why are we in this mess? Well that becomes evident pretty quickly and as the film gathers steam, the tension builds and the last fifteen minutes provide for quite a decently paced – if rather implausible – ending. Louder takes what plaudits there are from this, she actually turns in quite a decent performance. Otherwise, it’s just a good excuse to sit back and watch as we really don’t care if anyone survives – except, maybe, her…

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