Colossal 2017 Online Subtitrat in Romana

Colossal Online Subtitrat in Romana – [1080p]

Colossal

calificativ : Colossal
declanşator : 2017-04-06
arhivare : 109 Minutes
gen : Drama, Fantasy, Science Fiction

Makes enough pseudo-sense that those who are turned off by absurdism will be able to handle it, but still bizarre enough to get those who are fans of it on board. There might be some odd choices made in characterisation, and it’s a far from perfect film, but _Colossal_ works for me in a big way, and I want to see more original material make it like _Colossal_ did.

_Final rating:★★★½ – I really liked it. Would strongly recommend you give it your time._
**A tale of two cities!**

Did not expect it. It was a unique film. I love such films, because I’m bored of the same old action, romance, horror, thrillers. But it had loads of flaws. It was hard to get rid of them. Even I thought without those flaws, there’s no tale to tell. In the end, entertainment matter and this film provided that without logics. So put aside your adult brain and enjoy it like a kid.

I had not seen the teaser, trailer and never heard the storyline before trying it. I just went and sat, the initial parts were not that impressive. Because returning the hometown is a common cliché. Though once the story had taken a twist, the rest of the narration changed completely. Well, the story is about the two cities and each city split into a black comedy and a disastrous theme.

An unemployed and alcoholic young woman returns hometown after break up with her boyfriend. Befriends an old friend, and starts anew life. Until she discovers that on the other side of the world, a giant monster wrecking up a city. Once again, she discovers that she had something to do with that. Following it, how her response reshapes the entire episode was told with a twist at the end.

Anne Hathaway was simply good. But not to forget Jason Sudeikis’ part too. Both of them controlled the narration. This is a film to have fun. Not to go after errs. A film with the giant monsters, but less graphics used. Very clever writing by the Spanish filmmaker known for some good titles. I think the film is a little underrated. Recommended for those who seek nothing but an entertainment.

**8/10**

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Yevade Subramanyam 2015 Online Subtitrat in Romana

Yevade Subramanyam Online Subtitrat in Romana – [1080p]

Yevade Subramanyam

colontitlu : Yevade Subramanyam
a elibera  : 2015-03-21
arhivare : 160 Minutes
gen muzical : Adventure, Comedy, Drama

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The Tender Bar 2021 Online Subtitrat in Romana

The Tender Bar Online Subtitrat in Romana – [1080p]

The Tender Bar

generic : The Tender Bar
a lăsa  : 2021-12-17
arhivare : 104 Minutes
compoziţie : Drama

So very plain.

To be honest: I found ‘The Tender Bar’ to be a bore. I felt like I had seen this film before, such is the predictable and monotonous nature of the story. It almost felt like a (poorer) rerun of 2020’s ‘Hillbilly Elegy’.

I will say, though, that Ben Affleck gives a very good performance in this, to the point that I actually would’ve liked to have seen a story revolving around him and his character – as opposed to who this 2021 flick is about. Aside from Affleck, I didn’t care for any of the other performances and therefore any of the other characters.

It’s not even a bad film, it’s just so, so boring – for me, anyway.
It’s not often I find myself writing this, but Ben Affleck is comfortably the best thing about this otherwise rather lacklustre adaptation of JR Moehringer’s autobiographical coming of age tale. It depicts the story of his childhood – through the eyes of the engaging young Daniel Ranieri – before he heads to Yale in the guise of Tye Sheridan. The first half hour, maybe, is quite entertaining. This young lad living with his mother (his selfish father is estranged from them, living the mobile life of a late night radio talk show host) in the home of his mildly eccentric grandfather (Christopher Lloyd) and their home is a lively, buzzing environment in which the youngster thrives. Chief amongst the residents is his charismatic, worldly-wise uncle “Charlie” (Affleck) who runs a local bar populated with a decent, working-class clientele who take to the young man and encourage his obvious academic talents. That half hour peters out, though, and the rest of the film is really a rather uninspiring story of a young man, his “first love”, a youth who is looking for some sort of positive male “role model”. I find Sheridan a rather sterile actor. Sure, he is pretty, but he doesn’t ever stand out with his performances. They are all just a little bit by the numbers, and here is no different. He speak words of passion, but his acting conveys none of that adequately on screen. The soundtrack is left to do much of the heavy lifting when it comes to dialogue, and it feels longer than the 1¾ hours it takes to watch. I am glad I watched it – on a big screen in London with just one other person – but I don’t think I would ever bother watching it again.

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Things Heard & Seen 2021 Online Subtitrat in Romana

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Things Heard & Seen

generic : Things Heard & Seen
a dezlănțui : 2021-04-29
arhivare : 121 Minutes
compoziţie : Horror

If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

Horror is definitely one of my favorite genres. I find this type of film extremely impactful when done right. From sleepless nights to unforgettable images, I can never get enough of horror. However, just like every other popular genre, it reached a point where studios care more about building franchises set on formulaic screenplays than actually delivering original, creative, unique stories. Netflix isn’t known for exceptional horror content, so I was skeptical going into this movie.

Things Heard & Seen may hold a generic premise, but Shari Springer Berman and Robert Pulcini are able to add enough substance to make it interesting. Amanda Seyfried (Mank) and James Norton (Little Women) offer two remarkable performances, portraying two distinct characters that somehow ended up together. Both have their own flaws, but the husband is depicted in such a negative manner that it becomes challenging to follow someone so despicable. The main narrative offers a slight twist on the usual ghost story, making it more than just a creepy jumpscare festival, as well as possessing a particularly violent scene that’s no short of surprising.

Despite the suspenseful atmosphere, the slow pacing drags an overlong film that unfortunately features an underwhelming ending. The beginning of the third act reaches the peak of excitement, boasting attention-grabbing character decisions that will surely raise the entertainment value. Sadly, the mix of feminist themes with the supernatural narrative is far from getting the right balance, ending as yet another horror flick that had everything to be much, much better.

Rating: B-
Good watch, could watch again, and can recommend.

I’ll be honest, I was a little tired when I watched it, but I had a good time.

This is a good movie that I feel could have been a great movie, but I feel like its concept causes a distraction from it’s own story.

The movie does some clever things that make it a little hard to not spoil it, but giving the main character debilitations doesn’t automatically make her more sympathetic. I’m sure it makes her more relatable to certain audience and even more realistic a person, as a lot of her characteristics are the result of an unhappy relationship, but it doesn’t really drive the story on its own.

Once the momentum of the story, the house, and the characters start to build, the movie really becomes something else. There seems to be a new trend in movie making, that this story shares, where the story ends and a new story begins. Its not quite the same as having a 4th act or having 2 3-act stories. It’s close to having a short sequel in the same movie, and that’s definitely what it feels like.

This gets a lot of points for being interesting and having a great cast and delivery, but it’s just not…”great” as a whole.

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Maze Runner: The Death Cure 2018 Online Subtitrat in Romana

Maze Runner: The Death Cure Online Subtitrat in Romana – [1080p]

Maze Runner: The Death Cure

colontitlu : Maze Runner: The Death Cure
a dezrobi  : 2018-01-10
arhivare : 143 Minutes
gen : Science Fiction, Action, Adventure, Thriller

Good movie!
Thank you very much for not splitting this movie into two parts. As a member of _The Death Cure’s_ audience I do genuinely appreciate that.

I am less appreciative however of the movie itself. It doesn’t at all pay off the confusion I suffered at the hands of the franchise. My opinion on the _Maze Runner_ series has been mixed, but I feel certain that this one is the worst, and not only that, but it kind of retroactively made me appreciate the first two less.

_Final rating:★★ – Had some things that appeal to me, but a poor finished product._

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Cats 2019 Online Subtitrat in Romana

Cats Online Subtitrat in Romana – [1080p]

Cats

calificativ : Cats
a răspândi  : 2019-12-19
arhivare : 110 Minutes
gen : Fantasy, Comedy, Drama

I was always excited for ‘Cats’, and to learn about it as a musical fan. The first trailer made me more excited, because seeing those god-awful effects only made me want to see it more. I always get excited for big-budget musicals because it means we could get more, but ‘Cats’ just fails on every level. It’s a boring musical with forgettable songs and uninteresting choreography… and then it also fails as a bad film, since it offers no batshit fun. Poking fun at the CGI is all well and good, but you can do that from the trailer, so there’s no point being bored for two hours during this holiday season.

Meow, that hurt indeed.
– Chris dos Santos

Read Chris’ full article…
https://www.maketheswitch.com.au/article/review-cats-no-bad-kitty-no-one-is-the-jellicle-cat
Theatrical plays or musicals will not always translate well into filmic language, that’s well known and will not change, because both media are very different by nature. To question it is to deceive yourself.

Personally I’ve never believed that Cats is a great musical but perhaps its success says something else but even so a film adaptation in my view just could not work. I didn’t see how, especially considering the costumes but it was being made so the question now was how it was going to look.

I know there’s already a ”movie” but that’s basically a recording of the play.

Then the trailers appeared and what they showed looked weird, off putting and scary, but the visual work is not always everything in a movie, yet something decisive was being played here.
Eventually the defeat was inevitable.

Cats is full of good intentions but it’s a failure, not only because of terrible work in CGI and how it makes you feel but because it never manages to immerse you in the world of the story and is a bizarre world and I can have fun in bizarre worlds, it’s only that this one is pretty misguided.

I don’t think it’s that huge fiasco that a lot of film critics are saying it is and maybe eventually will find its niche and audience, after all worse films have become cults films, so that can surely happen but right now Cats is simply an idea that didn’t work, that it wasn’t well executed or directed and that although it’s not a monumental catastrophe, it’s indeed a gigantic disappointment.
Sometimes a movie struts its awfulness with such glee that it becomes an enjoyably sadistic pleasure rather than a chore to watch.

Such is the case with “Cats,” the big screen adaptation of Andrew Lloyd Webber’s 1982 musical that became one of Broadway’s longest-running shows. The stage version of “Cats” has grossed over $4 billion dollars, so of course Hollywood had to get their greedy claws in the mix and bring it to the local cineplex (where it promptly flopped). Anyone with a brain could see that all of this would prove to be a huge mistake, because when the source material is god-awful, how would you expect the film to turn out?

Let’s start with the good: the costuming and makeup artistry are both brilliant, if creepy. At first it’s disturbing and laughable to watch humans prance around and groom themselves but it doesn’t take long until you actually start to see them as cats. (And yes, it’s precisely the type of disconcerting feeling that will provide haunting nightmares for years to come). The dancing is beautifully proficient and the choreography creative, with some lovely ballet numbers. Those who enjoy classic theater and dance will find plenty to keep them engaged.

That’s where the positives end.

The movie’s plot closely follows the Broadway play, which means it’s just as awful. The gist is that a tribe of street cats all gather together on the night of the Jellicle moon and perform in a feline talent show so head cat Old Deuteronomy (Judi Dench) can decide which cat is worthy to ascend to a new life. It’s a creepy story that’s made even more disturbing when you stop and think about it.

To keep today’s idiot audiences engaged, director Tom Hooper throws in your standard issue fatty-fall-down slapstick gags and crotch hits that are sure to elicit a tornado of laughter. And although every cast member appears downright terrifying as a human/cat hybrid, the worst is the cameo from Taylor Swift as a sexed-up feline provocateur and purveyor of enchanted catnip. Yikes.

Weber’s repetitive songs are even more grating when translated to the screen (but hey, at least there’s “Memory”). The vocal performances are second-rate too. Jennifer Hudson has become a self-parody with her overacting and oversinging. Hudson’s angsty, tear-filled, snot-flying rendition of “Memory” is hilariously awful. Rebel Wilson‘s tap dance feels like an acid trip gone wrong as she trains her army of child-faced mice to dance for her pleasure (as she gleefully bites live cockroaches with human faces in half as they scream for mercy).

I’m not sure if anyone should see this movie of their own accord, but it absolutely could have legs as a midnight movie a’la Tommy Wiseau’s “The Room.”
Sometimes a movie struts its awfulness with such glee that it becomes an enjoyably sadistic pleasure rather than a chore to watch.

Such is the case with “Cats,” the big screen adaptation of Andrew Lloyd Webber’s 1982 musical that became one of Broadway’s longest-running shows. The stage version of “Cats” has grossed over $4 billion dollars, so of course Hollywood had to get their greedy claws in the mix and bring it to the local cineplex (where it promptly flopped). Anyone with a brain could see that all of this would prove to be a huge mistake, because when the source material is god-awful, how would you expect the film to turn out?

Let’s start with the good: the costuming and makeup artistry are both brilliant, if creepy. At first it’s disturbing and laughable to watch humans prance around and groom themselves but it doesn’t take long until you actually start to see them as cats. (And yes, it’s precisely the type of disconcerting feeling that will provide haunting nightmares for years to come). The dancing is beautifully proficient and the choreography creative, with some lovely ballet numbers. Those who enjoy classic theater and dance will find plenty to keep them engaged.

That’s where the positives end.

The movie’s plot closely follows the Broadway play, which means it’s just as awful. The gist is that a tribe of street cats all gather together on the night of the Jellicle moon and perform in a feline talent show so head cat Old Deuteronomy (Judi Dench) can decide which cat is worthy to ascend to a new life. It’s a creepy story that’s made even more disturbing when you stop and think about it.

To keep today’s idiot audiences engaged, director Tom Hooper throws in your standard issue fatty-fall-down slapstick gags and crotch hits that are sure to elicit a tornado of laughter. And although every cast member appears downright terrifying as a human/cat hybrid, the worst is the cameo from Taylor Swift as a sexed-up feline provocateur and purveyor of enchanted catnip. Yikes.

Weber’s repetitive songs are even more grating when translated to the screen (but hey, at least there’s “Memory”). The vocal performances are second-rate too. Jennifer Hudson has become a self-parody with her overacting and oversinging. Hudson’s angsty, tear-filled, snot-flying rendition of “Memory” is hilariously awful. Rebel Wilson‘s tap dance feels like an acid trip gone wrong as she trains her army of child-faced mice to dance for her pleasure (as she gleefully bites live cockroaches with human faces in half as they scream for mercy).

I’m not sure if anyone should see this movie of their own accord, but it absolutely could have legs as a midnight movie a’la Tommy Wiseau’s “The Room.”
I don’t understand why people reviewed this so badly. Minus James Corden this was a very amusing take on a musical I have always loved. Ian McKellen shined as Gus. Jennifer Hudson made me cry as Grizabella. Idris Elba was purr-fect as Macavity. Judy Dench was the perfect choice for Old Deuteronomy. The cast was really good, save for James Corden who grossed me out eating like a pig and hitting wrong notes.

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Madame Web 2023 Online Subtitrat in Romana

Madame Web Online Subtitrat in Romana – [1080p]

Madame Web

subtitlu : Madame Web
comunicat de presă : 2023-10-06
arhivare :
compoziţie : Action, Fantasy

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Prey for the Devil 2022 Online Subtitrat in Romana

Prey for the Devil Online Subtitrat in Romana – [1080p]

Prey for the Devil

colontitlu : Prey for the Devil
comunicat de presă : 2022-05-19
arhivare : 93 Minutes
compoziţie : Horror, Thriller

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Ava 2020 Online Subtitrat in Romana

Ava Online Subtitrat in Romana – [1080p]

Ava

titulatură  : Ava
a dezrobi  : 2020-07-02
arhivare : 96 Minutes
compoziţie : Action, Crime, Drama, Thriller

This movie started out really slow, the middle was really slow and the end was predictable and slow, nice to see Gina Davis but if you want a decent movie watch something else.
**Overall Score: 4.6/5, 4.5/5 Stars, 9/10 Stars**

It’s rare when you buy a movie unseen an end up enjoying it. I have always been a fan of Jessica Chastain, so when I saw a new movie with her in it, I knew I had to at least give it a shot. When I saw that it was inexpensive on VUDU, I figured why not just buy it. And I have to admit, I’m glad I did.

**Storyline: 4/5**. Jessica Chastain plays Ava, an assassin working for a mysterious company who doesn’t really appreciate the fact that she talks to her targets. When she begins questioning herself, she goes home to see her family and ends up in a struggle for her life.

**Characters: 4/5**. Ava is the main focus of the movie, but we also get introduced to her mother, sister, ex-boyfriend, and handler throughout the movie. Each has their own issues with Ava, but the one closest to her is Duke, her handler and trainer. Her mother is in the story for really no reason than backstory for Ava’s character. The sister, Judy, is a little more involved with her overall and might be the closest thing to a full secondary character. The ex-boyfriend, Michael, comes in a close third. There is no deep character connections in this movie, but the characters all do a good job moving the story forward.

**Direction: 4/5**. I do not think I have seen any movies by Tate Taylor before, but he’s done a few movies that I never cared to see, so this is my first experience with him. Overall, he’s not a bad director. He has a good eye for how a movie should be filmed, he doesn’t use any crazy camera movements to show action, and overall I was happy with how he made the movie. I had no real problems with his sense of direction.

**Casting: 5/5**. I love when a movie has a good cast. Jessica Chastain, Geena Davis, Common, Colin Farrell and John Malkovich are always good in whatever roles they are given.

**Acting: 5/5**. What makes a good movie to me is when you lose the actors in their roles. There were times when this did not happen in the movie, but it was very rare. For the most part, I believed everyone as the parts they played and not as the actors playing them.

**Music: 4/5**. The music in this movie isn’t the type I would download the soundtrack for, but it did its job in blending in without being a distraction, giving scenes that little extra *umph* they would need.

**Cinematography: 5/5**. One of the most annoying things in recent action movies is the use of shaky-cam to give a feel of action. Thankfully, this movie did not use that. Scenes were shot well, and lighting was always perfect.

**Production Design: 5/5**. There did not seem to be too many built sets in this movie, which really helped because I’m sure this movie probably did not have a large budget. The sets they used were used well and helped bring the story together.

**Pacing: 5/5**. This movie did not drag like I was expecting it to. It moved a little slow but not at a pace where I kept wondering when the movie was going to end. Scenes seemed to be the perfect length to keep the story going without rushing through them or taking too long to get through.

**Enjoyment: 5/5**. To me, how much I enjoy a movie is one of the most important factors. I enjoyed this movie a lot. It was a good spy-assassin thriller with a low enough budget that not too many chances could be taken so the story had to come through. I debated on whether my enjoyment was 4/5 or 5/5, and it might change in the future, but for now, I really did enjoy this movie.
Great watch, will likely watch again, and do recommend.

This is probably one of the best assassin movies I’ve ever seen (“Smokin’ Aces”, “Kill Me Three Times” and “Hanna” come to mind as others), the best thing it does is be refreshing, normally when a “character comes home after a long time away” trope happens, it’s all about re-integrating, and how that affects the family, and it becomes a dark dramedy about dysfunctional families.

I’m not saying it doesn’t to that, to a degree, but it does it in a spectacular way, and keeps it brief. It would actually be a solution to the main adversity of the movie, but because the premise is that she drags her work home with her, it’s all about survival.

Jessica Chastain, Colin Ferrell, and (especially) John Malkovich do an amazing job on rather down to Earth (if a bit psychotic and brutal) action sequences.

While there is a lot going on around the story, the real focus, and it’s worth it, her just trying to live through the organization she joined which she knows has to end in either her or the company’s death.

I do feel like the worst of it is just that Diana Silvers sort of got sidelined, but I’m hoping that the sequel will focus on her quite a bit.
Great watch, will likely watch again, and do recommend.

This is probably one of the best assassin movies I’ve ever seen (“Smokin’ Aces”, “Kill Me Three Times” and “Hanna” come to mind as others), the best thing it does is be refreshing, normally when a “character comes home after a long time away” trope happens, it’s all about re-integrating, and how that affects the family, and it becomes a dark dramedy about dysfunctional families.

I’m not saying it doesn’t to that, to a degree, but it does it in a spectacular way, and keeps it brief. It would actually be a solution to the main adversity of the movie, but because the premise is that she drags her work home with her, it’s all about survival.

Jessica Chastain, Colin Ferrell, and (especially) John Malkovich do an amazing job on rather down to Earth (if a bit psychotic and brutal) action sequences.

While there is a lot going on around the story, the real focus, and it’s worth it, her just trying to live through the organization she joined which she knows has to end in either her or the company’s death.

I do feel like the worst of it is just that Diana Silvers sort of got sidelined, but I’m hoping that the sequel will focus on her quite a bit.
**special mix**

Double Scotch, but ice?! Well, some like it.

Part of the story is standard thriller fare by now – the professional assassin becoming hunted. Some over-the-top action scenes there.
Another part is the dysfunctional but caring family, with guilt, remorse, love, drama. Well played, but it’s an unusual combination with the assassin story; and this special mix will appeal to some people – but my guess is: not many.
Good actors giving good performances, solid work from other departments. But I don’t think script and direction were bringing their A-game.

The part I liked best were the close combat parts. These were worth watching, IMHO – the exhaustion that sets in, no matter how trained people are; well played, choreographed, and the make-up+fx departments did a good job as well.

I can’t recommend this in general; you need to have some special taste to enjoy it. In which case, have fun. And you may like “Hummingbird (2013)”.
This movie was great for entertainment, the action was there, and the story was believable, although sometimes a little strange. All in all, I would watch this again. ⭐⭐⭐⭐

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Luca 2021 Online Subtitrat in Romana

Luca Online Subtitrat in Romana – [1080p]

Luca

campionat : Luca
declanşator : 2021-06-17
arhivare : 95 Minutes
gen muzical : Animation, Comedy, Family, Fantasy

The artists at Disney and Pixar have returned with a new animated film “Luca” which will debut on Disney+ on June 18th.

The film introduces audiences to Luca (Jacob Tremblay); a young Sea Monster who lives with his family and fellow fish off the coast of a small town in Italy. Luca is warned not to go on the surface and to avoid humans at all costs by his parents.

When a rebellious Sea Monster named Alberto (Jack Dylan Grazer); happens upon Luca and gets him to the surface; Luca discovers that he and Alberto appear as human boys when their skin is no longer wet.

Fascinated by the rebellious life Alberto leads and amazed by what he sees upon his brief land excursions; Luca looks for new ways to find time on the surface which leads to him being more and more deceptive to his parents.

In time Luca and Alberto head to the village and meet a spunky local girl named Giulia (Emma Berman); who is on a break from school and longs to win a local race in order to get back at the reigning champion and bully.

Luca and Alberto see the race as a chance to win money to buy their own Vespa which they see as the key to exploring the surface world which sets a chain of events into motion as their two worlds are about to collide leading up to the race.

The film is visually appealing, but the story for me dragged and did not have the spark and heart that have made countless PIXAR films enduring classics. While the characters were fine; they did not have the appeal or charisma that I have come to expect with the PIXAR brand.

There have been reports that after “SOUL” was moved from a theatrical release to streaming during the Pandemic that some at PIXAR were upset with the decision to make “Luca” a streaming option. My take is that it was 100% the correct decision as while it is an entertaining film; it is not one that is likely to light up the Box Office and is better suited for a streaming debut.

The biggest issue with “Luca” is that coming from a studio with such a long line of classics; it fails to reach the levels previously set and while entertaining comes up lacking.

3 stars out of 5
FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/luca-spoiler-free-review

“Luca follows the studio’s formulas of success closely without taking any unique detours, but it still tells a compelling story with relatable characters that gets to the viewers’ heartstrings. From the detailed animation that makes the Italian coast look realistically astonishing to Dan Romer’s rich score that hits all the right notes, without forgetting the outstanding voice work, every Pixar’s trademark technical attribute is present in an admittedly less complex, unsurprising narrative. Enrico Casarosa takes Jesse Andrews and Mike Jones’ light screenplay through a generic structure, where the “feeling/being different” theme is efficiently developed but closed in an underwhelming manner. Nevertheless, predictability means nothing in a movie where fully-developed characters spend the summer creating genuine friendships with an impactful emotional weight that might induce a couple of tears in the last few powerful minutes. It’s not my favorite Pixar flick, but it’s definitely a good film that I wholeheartedly recommend watching.”

Rating: B
Really good watch, could watch again, and can recommend.

This is full of fun and child-like wonder, with a surprising edge to it as there is an usual amount of violence directly related to the main characters.

This has a very wholesome feel to it as it has the romantic aspect of searching for new frontiers and adventures, but not necessarily for romantic relationships.

The story does a good job of pacing out the events of the movie allowing for each aspect to take the focus it needs.

While this is a movie about a triatholon, it’s a better story about freedom and acceptance.
Meh. Nothing creative here. Cute film and all but certainly not Pixar’s best.

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