Knock at the Cabin 2023 Online Subtitrat in Romana

Knock at the Cabin Online Subtitrat in Romana – [1080p]

Knock at the Cabin

titlu  : Knock at the Cabin
a lansa  : 2023-02-01
arhivare :
compoziţie : Drama, Horror, Thriller

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Ape vs. Monster 2021 Online Subtitrat in Romana

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Ape vs. Monster

generic : Ape vs. Monster
a achita  : 2021-04-29
arhivare : 90 Minutes
compoziţie : Action, Adventure, Science Fiction

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The Mummy 2017 Online Subtitrat in Romana

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The Mummy

titulatură  : The Mummy
a lansa  : 2017-06-06
arhivare : 110 Minutes
gen : Fantasy, Thriller, Action, Adventure, Horror

Oh gosh. Where do I even start. This film sucks.

Now before I begin to tear this film into shreds, let me give you some background. I was excited for this movie. I love Tom Cruise. I love Sofia Boutella. I love Russell Crowe. I love the Universal Monsters.

Lets just say I was disappointed.

This film has some of the worst tonal problems in a film ever. An inconsistent tone is my biggest pet peeve. Sometimes it’s scary. Sometimes it’s a huge action blockbuster. Sometimes it’s trying to be like Brendan Frasier’s “The Mummy.” It doesn’t know what it is.

The female lead (who’s name I can’t remember) is incredibly bland. Not her acting, she’s actually quite good. It’s the writing is what makes her bad.

Jake Johnson’s character is one of the most annoying characters in a movie ever. And I mean that. I hated almost every scene he was in.

The few high notes: Sofia Boutella kills it. Russell Crowe is delightfully campy. Tom Cruise gives another solid performance despite his character being super unlikable.

Alex Kurtzman is what hurts this film. The direction is quite bland. Kurtzman is a bad screenwriter and a just as bad director.

This film is a mess. Tonal problems and bland writing. Some fun action scenes and performances can’t keep this film from being a boring trainwreck.

1.3/5.0
Honestly, this film screwed up big time and it’s not as good as the 1999 film, most people are going to compare this film to that and I don’t blame them. Tome Cruise was like a walking joke in this and while I saw this in the cinema, people were laughing during an action scene that was actually badly put together and I didn’t realise this until now. This is pretty much a mix bag of a film which is a shameful way to start off a new cinematic universe of the Dark Universe.
Remember when _Dracula Untold_ was supposed to kick off Universal’s Monster-Movie franchise, but then they canned that because of how poorly received that movie was? Well get ready to go straight back to the drawing board Universal, because _The Mummy_ isn’t even half the movie that _Dracula Untold_ was. Sofia Boutella as the titular Mummy is the movie’s one redeeming feature, but she far from salvages this train-wreck.

_Final rating:★½: – Boring/disappointing. Avoid where possible._
In view of the reviews this movie has received I was not expecting much. Being a Sci-Fi/Fantasy/Horror fan I had to watch it regardless of what people said about it of course.
I have to say that I do not understand why so many seem to claim it is utter crap. Sure, it is not a great movie but it is not really bad either.

It is not just a remake of the original The Mummy movies which I think is actually good. That concept is becoming a bit deja vue after all.

To me the worst part of the movie was Tom Cruise. Total lack of charisma. He really do not succeed in his role. He is mostly wondering about being meh and just reacts to the various situations he is thrown into.

Russell Crowe is a lot better as Doctor Jekyll. I quite like Doctor Jekyll being thrown into the mix by the way. I think his role worked quite well and was well played.

Being a mummy movie there are of course a lot of supernatural stuff, curses, monsters and action. In general I think it was reasonably well done. The special effects were enjoyable and the mummy herself, Sofia Boutella, was not bad at all.

On the whole the movie and the story held a lot of promise but in the end the overall performance failed to really impress. There were plenty of good things but they were just not put to good work. I think the movie would have fared a lot better with a more charismatic lead in it and perhaps a bit better script for him.

Bottom line, I did enjoy the movie. As I wrote it is not really bad but it could have been quite a bit better. The good parts were sometimes really good but in between it felt like everyone went to lunch and let the janitors have a go at movie making.
Disappointingly unoriginal and average.

So here we go, then, Universal begin their rebirth of the Universal Creature franchise (Dark Universe) with a crack at old bandage features, The Mummy, sadly the result is very average at best. You would think that with so many “Mummy” films of the past already on the market this new lease of life would be giving us, well, something new to gorge on, but what we actually get is a painfully familiar.

From a summer blockbuster audience pleaser point of view it has the requisite effects work, it’s loud, rambunctious and has Cruise and Crowe for star wattage, but Cruise is going through the motions, Crowe is laughably miscast (with a later dreadful accent issue to compound the misery), while the rest of the cast play second fiddle to the over egged effects work.

It’s neither dark enough as a head bothering thinker or witty enough to tickle the funny bone, in fact it at times is very dull. There’s also the worrying attempts at crossing over into further creature feature ventures, a big reveal for a main character is sloppily handled, whilst the finale lands as flat as a pancake.

There’s some nice touches, the “Mummy” design is sharp (love those eyes), a plane crash is exhilarating and the film’s stand out sequence, and the tomb/prison design is neat, but after that you start to scratch around for positives, which in itself tells a story. At least it looks and sounds great in HD, the colours and sub-woofer shakes a treat for the senses.

It’s all well and good people asking for it not to be judged by other Mummy films, but the creators here make that inevitable. Lifting the plot from one of the 1940’s films, and even stealing a scene from the Stephen Sommers school of Mummy film making. It’s unoriginal and as an opening salvo for a franchise it leaves Universal with a hell of a lot of work to do to make it work. 5/10
**The first in the Universal studio’s ‘Dark Universe’!**

If you see the history, the reboots usually fails. It has to be at least half a century old to reboot like ‘King Kong’. So the technology advantage would play a major role. It was less than the 20 years, the last ‘The Mummy’ film had released and pretty impressed everybody with modern visual effects. Even today’s young generation getting used to that when it was played on the television. Comparing this to that, there’s nothing much other than more perfection in graphics and additional digital 3D. In my opinion, they should have waited another decade.

It was exactly reversed version of the 1999 film. I mean the character designs. Like female mummy coming to life and targeting a man for the ultimate power possession. Two US army men in Iraq found a hidden tomb like structure from the Egyptian era beneath the sand. The recovered ancient coffin shipped to England, but the plane crash down. Since then, an unknown force begins to hunt down one of that two army men. Fighting against it, followed by how the story ends comes in the later parts.

When I first heard about the reboot, I said oh no! Hearing about Tom Cruise’s involvement, it became double no! Actually, he was good in the film, but the film was unnecessary at this generation. Even though it did good at the box office, it was considered a decent run. But the studio has a bigger plan, that you would know if you watch the film, that they had already developed a plot for at least two more films with enough characters to carry on that long. If needed, it would add more in the latter. I feel that’s a bad idea right now. Watching it one time is not bad, but no special at all.

_5.5/10_
***Adventure, thrills, horror, Tom Cruise and Annabelle Wallis***

Two American soldiers & treasure-hunters (Tom Cruise and Jake Johnson) discover the tomb of evil Princess Ahmanet (Sofia Boutella), who attempted to summon the death-god Set but was seized and mummified alive. They and an attractive archaeologist (Annabelle Wallis) fly Ahmanet’s sarcophagus to Britain when all hell breaks loose. Russell Crowe is also on hand.

“The Mummy” (2017) is the reboot of The Mummy trilogy of 1999-2008 and the first official film in Universal’s Dark Universe franchise, which reimagines & updates the classic universal monsters. The producers flirted with the idea of “Dracula Untold” (2014) being part of the Dark Universe, and the epilogue of that movie set in the modern world suggested this, but the idea was dropped. While “The Mummy” garnered $410 million worldwide, it was considered a disappointment and critics generally lambasted it.

I found the modern setting a nice change of environment compared to the late 1920s-40s of the previous trilogy; it prevented it from being the same-old-same-old. I also didn’t mind the various locations outside of ancient Egypt, e.g. northern Iraq and England; even Hammer’s version from 1959 started in Egypt, but quickly moved to England. I also favored the switch to a female mummy and that the slightly convoluted story kept you guessing. So the flick gets points for NOT being one-dimensional and hackneyed.

I enjoyed it for the most part, although it coulda been more compelling in the latter portions. It has the same spirit of high adventure of the 1999 movie mixed with gothic horror (including creepy zombies) and a bit o’ comedy, but not too much. While the curious inclusion of Dr. Jekyll (Crowe) smacked of pushing the new franchise, it didn’t ruin the viewing experience. And winsome Wallis doesn’t hurt.

The film runs 1 hour, 50 minutes, and was shot in England; Burbank, California; and the Namib Desert, Namibia.

GRADE: B
A disappointment.

‘The Mummy’ begins with promise. I initially enjoyed the duo of Tom Cruise and Jake Johnson, the plot set-up and the location choice of London. Russell Crowe is a standout name too. However, sadly, the film gets progressively worse throughout the 110 minutes.

The premise kinda just falls into itself, with any interest disappearing pretty quickly. The link between Cruise and Johnson becomes tiresome, as does all the comedy in the film in truth – there’s a few chuckles, but nothing laugh worthy. The zombie vibe doesn’t fit, either.

What also doesn’t help is the fact they’re blatantly trying to set up a film universe of some sort, which they put too much focus on. I found the effects hit-and-miss, I feel like they could’ve used more practical stuff rather than relying so much on CGI – for the make-up et al. at least.

Cruise leads ably and does a decent enough job – he has done far greater of course. Crowe never really gets going in my opinion, though does have a couple of cool to look at scenes late on. Sofia Boutella is alright, as is Annabelle Wallis. A meh for the cast.

Nothing diabolical, but a fair distance from good too.

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Transformers: Age of Extinction 2014 Online Subtitrat in Romana

Transformers: Age of Extinction Online Subtitrat in Romana – [1080p]

Transformers: Age of Extinction

calitate : Transformers: Age of Extinction
a dezlănțui : 2014-06-25
arhivare : 165 Minutes
gen : Science Fiction, Action, Adventure

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Ted 2 2015 Online Subtitrat in Romana

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Ted 2

titlu  : Ted 2
: 2015-06-25
arhivare : 115 Minutes
gen muzical : Comedy

> The return wasn’t as exciting as the previous one.

No surprise why this film failed to excite me, but a few people thinks its a passable sequel. The original movie was atypical, so the success followed it. In my perspective better that should have left as a one-off movie. But as a low budget product, they knew it was going grab back twice, thrice they spent because of the star value and indeed the first film’s influence.

There is no story, simply based on the usual Hollywood road adventure like the flicks ‘Fanboys’, ‘Dumb and Dumber To’, ‘Not Suitable for Children’ et cetera, except the character Ted which makes this theme a special. A couple of good jokes and that’s it, the rest were ineffective, sometime keep repeating the same ones. The 2 hours in a too plain concept, is way too long to sit and watch/focus.

The cameos were weak, or maybe worthless/meaningless, especially Liam Neeson’s. The best things were the production quality, acting and like I mentioned before, the character Ted. For the one time watch, I think kind of manageable, but definitely not suitable for repeat viewing or to recommend it to the others. But overall, a little disappointed with the outcome. They have got one more chance to end this franchise on a high note as a decent trilogy if the next film gets a better storyline.

6/10
Ted 2 packs more unhumorous stuffing within its formulaic synthetic fur. MacFarlane is a talented comedian, I’m sure of it. His profusely crude humour captivating millions with his legendary ‘Family Guy’ TV show. Even ‘Ted’ was tolerable to a certain degree, and that’s saying something. Yet here we are, with an inevitable sequel, that essentially felt like a glorified episode of the aforementioned animation. It’s cutaway structure for unrelated gags. Relentless wave of pointless cameos. Ted becoming Peter Griffin. Close your eyes, let the voices infiltrate your senses and you’ll soon realise it’s just ‘Family Guy’, just less funny. Ted now married and struggling to maintain his relationship, has his rights taken away when he is no longer viewed as person but property instead.

A particularly strong aspect to this comedy that more or less is the power source of its story, raising a civil rights lesson in ethics and morality. It was so *interesting* that Morgan Freeman himself got involved and slam dunked the jury with his God-like soothing voice. And despite Seyfried actually picking up the script’s remnants and transforming the scraps into a functional film, it’s utterly forgettable. So much so, that once Wahlberg becomes drowned in rejected semen samples (literally swimming with the sperm…), I experienced a moment of déjà vu (ironically, so did Ted). Surprisingly, I had seen the first half before. Yet it took me a decent forty minutes to encounter this epiphany, that’s how unmemorable this comedy truly is.

It exercises all of the same plot points from its predecessor, the inclusion of the mentally unhinged Donny and the friendly break-up between the leads cement this sentiment, and rarely explored new avenues. Sure the friendly chemistry remained intact, but only one or two lines made me frustratingly chuckle, mostly due to Warburton’s comedic execution (urgh, that voice…). Besides that, there’s nothing here. Same old MacFarlane profanity. Worth a squeeze if you enjoyed the first film, but exhausts its preset lines of dialogue extremely rapidly. “I love you”? Eh, please don’t.

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The Craft: Legacy 2020 Online Subtitrat in Romana

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The Craft: Legacy

titular  : The Craft: Legacy
a lăsa  : 2020-10-28
arhivare : 94 Minutes
compoziţie : Horror, Drama, Fantasy

Disappointment that it didn’t live up to the first film.
At least first film was edgy, a little scary, even had goths.
Yes, it’s a subpar sequel, but not nearly as bad as many people make it out to be. I get it, the movie errs on the side of being too preachy and “woke”, which is something that was likely to get a lot of criticism, especially considering that this flick was bound to attract a lot of attention from fans of the first movie (mostly people in their mid to late thirties, like myself). Drawing a comparison is somewhat inevitable, given that “The Craft” (1996) is widely regarded as a cult flick, but, as a standalone movie, “Legacy” works in its own way and, while I can understand why so many people were dissatisfied with it, I would say that it doesn’t deserve all these 1/10 scores that it got on IMDb or other websites. This sequel is mostly aimed at a younger audience with a more social justice warrior mindset, for the lack of a more fitting description. While I pretty much tend to roll my eyes at any kind of patchiness, I didn’t find it impossible to sit through this flick, like I experienced with other “woke” movies.

While in the original film we get a group of girls who were mostly miserable and dark, because of their inner conflicts and the fact that they were mostly ostracized by their peers, “Legacy” gives us four girls who are pretty much sparkly and happy. Actually, I would say that, at some point, I found them annoyingly loud and enthusiastic, especially about their magic, which they mostly use to play silly tricks and whatnot.
While the 1996 film dwells into the lives of each of the four girls, allowing us to know them and empathize with them, “Legacy” mostly focuses on Lily, the main character. As a matter of fact, the other girls’ lives are never even explored, which is something that bothered me a lot, because it felt alienating and rushed. Who are “the three others”? Lourdes, a transgender latina; Tabby, who we never really get to know and Frankie, a ditzy and likeable girl who, at some point, receives a snarky comment from a popular girl, who makes fun of her for being allegedly ugly.

I think one of the biggest problems with “Legacy” is, precisely, that we don’t really get to know who these girls are, while the original was a character-driven type of film. Seriously, these four girls are mostly likeable, they don’t harm anyone and they just enjoy their powers, but don’t really get to know them and many of their personality treats seem to have a cookie cutter approach. So, they’re woke social justice warriors… big deal. Don’t we get enough of these types of characters these days? Apparently, not. These girls just don’t stand out in any way. It could have been much worse, though; at least it’s not as “woke” as the “Black Christmas” remake from 2019 (now, what the fudge was that?)

In “The Craft: Legacy” the main antagonist is none other than… patriarchy itself (surprise!). David Duchovny basically plays a lazily written character that could be described as “the very, very bad man that thinks women are weak and they need to submit to the greatness of the male”. Seriously, how stereotypical and predictable is that? So, while in the original film, the girls have a falling out and are pit against each other, in this sequel, they also have a falling out, but eventually team up to fight a greater evil: men! To be fair, though, not all men in this movie are absolute trash… only 95.6% of them are. In spite of this, “The Craft: Legacy” is not really an anti-men statement, but more like a half-assed display on the consequences of male chauvinism does, which can be endured both by men and women. In doing so, the movie offers a bunch of contrived and even caricature-ish situations and characters, like the school bully turned into a social justice warrior, after the girls put a spell on him. Though, clearly, they are the good ones, the girls are not portrayed as absolute angels who can do no wrong and are constantly mistreated by the world. As a matter of fact, at some point, they acknowledge that they have (ab)used their power and force themselves to stop.

“The Craft: Legacy” is definitely not a masterpiece and it will never gain cult status, like the original film, but it’s not the unwatchable mess that people make it out to be. It should be mentioned that, while the 1996 flick had a few horror moments, “Legacy” doesn’t even bother going there, and it ends up being more, like, a teen drama with a few sparkly stars here and there and an evil shapeshifting antagonist.
Sigh… not that I expected anything that equaled the original The Craft even partially, this is an insult to decades of pre-woke era American culture.

Sensitivity and tolerance notwithstanding, this is thematically and aesthetically a major step down from the original film and urinates all over the legacy of that classic contribution to American cinema.

Most glaring from a visual standpoint is casting of the 4 leads, a double wide boy posing as a girl(!?), a girl who looks like a boy, a legitimately ugly girl, and (at least) a beautiful descendant of the kings and queens of Africa. Why, pray tell would they deviate from the original formulation of alluring and powerful imagery of 4 uniquely beautiful young women and give us THAT mess instead? Because beauty is more than skin deep? Because inner beauty is more important? Because everyone is beautiful? Not quite. Beauty is just beauty, and they decided to leave it out of this film for the most part.

Adding to the insult of this present day lesson in how to wokefy the sequel of a classic film, they decided to make every masculine character, evil. Great message.
Yikes, well there’s not much point in gilding the lily – this is dreadful. A sort of elongated episode of “Buffy”, written by someone who has little, if any, grasp of how to construct a suspenseful story and directed with the same level of skill. It reminded me of female equivalent of “The Covenant” (2006) and what David Duchovny is doing here is anyone’s guess. In my view, it’s well out of it’s depth getting a cinema release at all – it’s a pretty pointless exercise on just about every count that belongs on daytime teen television.

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Thor: God of Thunder 2022 Online Subtitrat in Romana

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Thor: God of Thunder

generic : Thor: God of Thunder
a lăsa  : 2022-07-08
arhivare : 90 Minutes
gen : Action, Fantasy

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Fifty Shades Freed 2018 Online Subtitrat in Romana

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Fifty Shades Freed

titlu  : Fifty Shades Freed
comunicat de presă : 2018-01-17
arhivare : 105 Minutes
compoziţie : Drama, Romance

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Final Score 2018 Online Subtitrat in Romana

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Final Score

generic : Final Score
a dezrobi  : 2018-09-07
arhivare : 105 Minutes
gen : Action

Direct-to-Video and On Demand movies, the ones that generally skip any major theatrical release, are more often than not rather terrible or at best bland. But a funny thing happens every so often, one tends to surprise. Final Score, albeit can get silly at times, was quite fun and entertaining.

Dave Bautista plays Michael Knox, a former soldier visiting his “brother’s” widowed wife and daughter, Danni (LARA PEAKE), whose father was killed during a mission led by Knox. He’s come to take Danni to a football (soccer) game.

Meanwhile, Arkady Belav (RAY STEVENSON) and his merry men of terrorists, infiltrate the stadium for the match. Belav learns that his brother, Dimitri (PIERCE BROSNAN), had faked his death 17 years earlier in order to stop the bloodshed during a revolution in the Russian state of Sakovya for independence. Arkady believes once the people see Dimitri alive, despite undergoing heavy plastic surgery to look a lot like Pierce Brosnan, will rise up and the revolution will be revitalized.

Arkady and his crew have not only jammed signals so people inside cannot get use their cell phones, they have also rigged columns in the stadium with C4 explosives. Once Knox gets wind of what’s going on, he goes into action first to protect Danni and then take down Arkady, with the help of stadium attendant Faisal (AMIT SHAH), who knows the lay of the land. Brutal violence ensues.

I don’t mind admitting, I genuinely enjoyed Final Score. It’s a movie that certainly had more than a few silly moments, most notably Knox riding a motorbike onto a heavy fabric roof along with some eye-rolling dialogue, one towards the end that reminded me of the “swing high” line in Signs. But even so, Dave Bautista has proven he does have enough charisma to carry a movie while Ray Stevenson, to no one’s surprise, does play an effective villain even when his character’s motives don’t seem to be well thought out. And finally Pierce Brosnan gets the prestigious “and” credit meaning he’s only in the film for a few minutes and minimal dialogue, but even so, seems to give it his best for such a limited part. As much as I liked Stevenson, kind of wish Brosnan played the villain here…

Final Score was directed by Scott Mann who also helmed the dull film Heist from 2015 (which co-starred Bautista) but here the action was pretty well shot and even in the asinine moments, were still rather suspenseful. The script was written by “The Lynch Brothers” (David and Keith Lynch; both making their feature debuts) and Mann’s co-to man, Jonathan Frank who wrote Mara also for Saban Films.

In the end, this is not some tremendous action-thriller and certainly does have shades of Die Hard, but even so, I was generally surprised considering the track record for these direct-to-video flicks that are more often than not, are terrible. This one, was actually pretty damn good.
Might not exactly be a masterpiece, but for real: Ray Stevenson and Craig Conway as Eurotrash terrorists taking on Dave Bautista at a Hammers game in a “_Die-Hard_-But” movie with a kickass soundtrack? This is thing is one neon lights sequence away from being literally made for me.

_Final rating:★★★ – I liked it. Would personally recommend you give it a go._
A pretty subpar entry in the “I don’t know what else to make, so I’m just going to make a dumb action movie filled with stereotypes and tropes” genre.

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Polar 2019 Online Subtitrat in Romana

Polar Online Subtitrat in Romana – [1080p]

Polar

cap : Polar
a elibera  : 2019-01-25
arhivare : 118 Minutes
compoziţie : Action, Crime, Drama

This is a bit of a strange movie. Part of it feels like a pretty good, dark and gritty thriller, part of it feels like a wannabe Tarantino movie and part of it feels like a comedy. Overall I would classify it as a B-movie but a pretty good B-movie. As strange as the movie is I have to say that I liked it.

I kind of watched this movie on a whim. It popped up on my Netflix home screen and I kind of liked the blurb. A type of story that I like. Then I saw that Mads Mikkelsen played the lead role and this sold me on it. I quite like Mads Mikkelsen in these kind of roles.

The movie starts off in a fairly normal way for this kind of movie. You know, some assassinations, introduction of the hero, the bad guys, the even badder guys and all that. It is fairly clear already from the start that there will be blood splatter. That it would reach the levels it did towards the end of the movie was a bit of a surprise though.

I did like Mads Mikkelsen in his role as Duncan, the somewhat brooding and grim assassin starting his retirement. But then I’m not really surprised. It’s a perfect role for him. The rest of the actors, well let’s just say that their acting was for the most part forgettable. Maybe with the exception of Matt Lucas as Blut. But then, his role was so comical and wacky so one wonders if it required acting skills or just a good dose of insanity (or some chemical products).

The blurb states that he is deemed a liability. Well, that is not exactly the truth actually. It is more that his overly wacky boss is trying to screw him. This is where it starts to get into comedy land. Already in the first couple of scenes it is clear that this guy is a nut job. Then he let’s loose his assassins and at that point the movie escalates in a orgy of blood, violence and comedy.

I cannot really make up my mind if it would have been a better movie if the violence would have been less comical or not. With the comedy this movie becomes a bit unusual and sticks out. Without it it would risk becoming just another thirteen on a dozen assassin thrillers. Also, as comical as it is, it is fairly well done.

Anyway, there is of course a pretty dramatic and violent fight as the movie draws to a close. I quite liked that one. There is also a little twist that I actually did not see coming at the end.

Overall, it was a fun movie to watch.
**What a bloody mess.**

I the middle of the film, I stopped serveral times and wondered how to salvage this trainwreck, if I was the writer.

The Mikkelsen and Hudgens scenes are strong, emotional, well written and acted, and make sense. And Mikkelsen is excellent for this sort of action hero thing – for which there are good action scenes, iconic even.

But all of that doesn’t tie in with the violent clowns. That part has some clever moments, but really daft hours – like, most of the movie. I wonder how the script came to be – whether a good original story got script-doctored by the wrong people. Add some wanton violence, some sex scenes, some torture and more torture, daft villains – lot’s of unnecessary stuff that’s just ups the rating without giving anything of value. I kept wondering “why”.

There is a number of good bits, which seem familiar; there is a lot of crap that feels like a complete WOMBAT. Someone OK’d this, produced, made, left it in the cut – and I don’t see why.

This could’ve been an original, violent and interesting movie. But it was utterly messed up.

Won’t watch again, but managed to finish it.

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